"Tom Sawyer" (Lee, Peart, Lifeson, Dubois)
"My Friend Metatron" (King)
"Song X" (Coleman)
"Smells Like Teen Spirit" (Cobain)
Ethan Iverson, piano
Reid Anderson, bass
Dave King, drums
Oscar Hernandez: Musical Director, Piano
Hector Rodriguez: Bass
Jorge Gonzalez, George Delgado, Luis Quintero Mitchell: Percussion
Mitchell Frohman: Baritone Sax, Flute
Reynaldo Jorge, Daniel Reagan: Trombone
Peter Nater, Hector Colon: Trumpet
Raymond Hernandez, Marco Bermudez, William Torres: Vocals
Ahora Si! (Montessino)
Rumba Urbana (Hernandez)
Esperame En El Ciel (Vidal)
The Bad Plus' latest album, For All I Care, adds alt-rock vocalist Wendy Lewis.
The Bad Plus came together in the early 2000s, offering up a jazz spin on works by Nirvana, Aphex Twin and other non-jazz sources. Since then, each of the trio's records has further explored the group's self-styled universe, while also demonstrating its commitment to the art of the trio.
Here, The Bad Plus opens with "Tom Sawyer," a 1981 hit for Rush, and closes with Nirvana's 1991 classic "Smells Like Teen Spirit." In between, drummer Dave King and bassist Reid Anderson provide the compositions, and pianist Ethan Iverson introduces the pieces in his own offbeat way.
Iverson says that Tom Sawyer is a hero because he's a modern-day warrior who operates according to his own moral compass, while Metatron — in the song "My Friend Metatron" — is an archangel with whom you'd better not mess.
Next at McMenamin's, the piano, bass and drums are replaced by a 10-piece Latin band and three vocalists, and the house turns over for the Spanish Harlem Orchestra. The SHO's latest album is United We Swing, while the ensemble won a Grammy for its record Across 110th Street.
Throughout the concert, dancers who drove to Portland from Vancouver worked out on "Ahora Si!" proving that salsa music is alive and well. Meanwhile, leader Oscar Hernandez followed with his own composition, "Rumba Urbana." Multi-instrumentalist Mitch Frohman was one of the concert's highlights, showing his prowess by jumping between baritone sax and flute. Finally, Dee Dee Bridgewater loves a slow dance, so we close with a bolero.
Credits: Thanks to recording engineer Ron Davis and his team from A Wing & A Prayer at the Portland Jazz Festival.