The Head And The Heart: Seattle's Next Big Band? These five twentysomethings got started last March at an open mic, and in a little more than a year have become one of Seattle's most talked-about indie-rock acts. KEXP's Hannah Levin interviews the band and hosts a studio session on the station's local music show, Audioasis.

The Head And The Heart: Seattle's Next Big Band?

Hear And Download The Full Session From KEXP

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Hear More Songs From The Session

"Cats And Dogs/Coeur D'Alene"

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"Lost In My Mind"

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"Ghosts"

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"Down In The Valley"

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While the Seattle music community continually cultivates new talent, few young Northwest bands have experienced as steep and rapid a trajectory of success as The Head and the Heart.

The five twentysomethings met a little more than a year ago during a weekly open mic at a Seattle bar. Chemistry was instant, and a collective love of classic folk harmonies (a la Crosby Stills Nash and Young) was evident, as was a natural knack for fortifying melancholic Americana sounds with the bright, powerful structures of pop songwriting. Collaboration was also quick, and the group released its self-titled debut in July, where it proceeded to sit atop local charts for weeks. A little more than two months after the album's release, the band has vaulted from its open-mic origins to opening for Vampire Weekend at Seattle's 2,800-seat Paramount Theater.

When I initially heard an advance copy of the record in late June, I was less than a minute into "Down in the Valley" (the band's first composition) before I knew I needed to book The Head and the Heart immediately for an in-studio session on Audioasis, KEXP's long-running local music show. Capturing the band just as its wave of success was rising made for one of the most memorable in-studios I've experienced.

Co-frontmen Josiah Johnson and Jon Russell traded lead roles with equal elements of grace and swagger, while silver-throated vocalist and violinist Charity Thielen wove her contributions in seamlessly and pianist Kenny Hensley kept everything buoyant with his Beatles-esque keys. Percussionist Tyler Williams is the band's secret weapon, pushing everything forward at precisely the pace a song calls for, whether it's the gentle rasp of an egg shaker or a roof-rattling snare drum. And while the songs (particularly the sing-along dance-floor driver "Lost in My Mind") are exceptionally well-conceived and their execution nearly flawless, what makes this session moving is the obvious comradery among the band's members and the euphoric sense of anticipation underscoring it all.