"Los Angeles" by Quinn Kiesow
"Barcelona" by Quinn Kiesow
"New York" by Quinn Kiesow
Courtesy Quinn Kiesow
Quinn Kiesow travels the world recording sounds and turning them into songs.
Courtesy Quinn Kiesow
We wanted a grand finale for Day to Day's California Dreaming series, so we asked artists to send their musical takes on the California Dream. Among the dozens of submissions, one track stood out from the rest because of its unique approach: The instruments are urban sounds.
Quinn Kiesow, 25, created his entry, "Los Angeles," entirely out of noises he recorded in that city. The track follows him through a day in L.A., from a construction site to a coffee shop, past kids on skateboards, chirping birds and whistling pedestrians. He blends the click-clack of a woman's high heels, the swoosh of a public bus' brakes and the thrash of a jack-hammer to make music.
His song is the culmination of his own California dream, he told Madeleine Brand and Alex Chadwick in an interview. A few years back, Kiesow moved to Los Angeles from Wisconsin with his experimental rock band, hoping to get signed and paid to play music.
"We loaded into a shuttle bus with no money, no place to live," he says.
Kiesow, who grew up in a town of 3,000 people, was floored by all the sounds when he arrived. Everywhere he listened, he found inspiration. The subway "makes this great sound like a violin;" Hollywood Boulevard was full of weird noises, begging to be looped, he says.
Experimental rock, his band found, wasn't exactly a ticket to fame and fortune. The group split before finishing a "concept album," which involved infusing songs with sounds recorded across southern California.
Still, Kiesow wasn't ready to give up. He decided he'd continue what the band had started by recording city sounds and creating songs out of his trove of environmental audio.
Piecing together all this audio is a time-consuming process. Kiesow spent 80 hours in the studio on the "Los Angeles" track alone, but he loves the process. After molding his audio version of the City of Angels, he went to Europe for six weeks, recording the entire time.
"I knew that the sounds there would be entirely different than they would in Los Angeles," Kiesow says. "The streets are made of different things; the buildings are different widths apart; they have different engines in their cars; people speak a different language; it's a difficult culture."
A year later, he's still sifting through all the sounds.
Although his California dream may not have panned out the way he had hoped when he first left Wisconsin, Kiesow says he's found a place that inspires him to "actually do the things I want to do."
It's "more difficult and less glamorous than I expected," he wrote in his submission. "But more fulfilling than I could have ever expected."