The Modern Vampire: Bloodthirsty, But Chivalrous A new generation of vampire heroes is dominating best-seller lists, movies and TV. The modern-day vampire gentleman is eerily alluring in all the old-fashioned, bloodsucking ways but reins in his baser instincts in an impressive display of control.

The Modern Vampire: Bloodthirsty, But Chivalrous

The Modern Vampire: Bloodthirsty, But Chivalrous

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Bill (Stephen Moyer) represents a new crop of restrained, genteel vampire heroes in the HBO series True Blood. Sookie (Anna Paquin) says, "He's so not scary." John P. Johnson/HBO hide caption

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John P. Johnson/HBO

Bill (Stephen Moyer) represents a new crop of restrained, genteel vampire heroes in the HBO series True Blood. Sookie (Anna Paquin) says, "He's so not scary."

John P. Johnson/HBO

Watch a scene from 'True Blood'

The Many Faces Of Dracula:

In a century of remakes, adaptations and sequels, Transylvania's "Son of the Devil" never appears the same way twice. See how he's changed over time.

Hulton Archive/Getty Images

Watch a scene from 'Dracula'

In the film adaptation of the "Twilight" book series, Edward (Robert Pattinson) comes from a conscientious clan of vampires who have chosen not to prey on human flesh — including his girlfriend, Bella (Kristen Stewart). Summit Entertainment hide caption

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Summit Entertainment

In the film adaptation of the "Twilight" book series, Edward (Robert Pattinson) comes from a conscientious clan of vampires who have chosen not to prey on human flesh — including his girlfriend, Bella (Kristen Stewart).

Summit Entertainment

A new generation of vampire heroes has stepped out of the moonlight and into the cultural spotlight — dominating best-seller lists, movies and TV with its dangerous mystique. The modern-day vampire gentleman is eerily alluring in all the old-fashioned, bloodsucking ways, but now he reins in his baser instincts in an impressive display of control.

There have been hundreds of depictions of vampires over the years, but Bela Lugosi in the 1931 film Dracula still defines the role. Lugosi leaned over his pretty female victims without remorse and — without the aid of special effects, blood or fangs — managed to be really, really creepy.

Eric Nuzum, author of The Dead Travel Fast, says vampires have been around in one form or another since ancient times. And while vampires cannot see their own reflections in the mirror, they are a perfect reflection of the culture that creates them.

"You look at vampires from any given era and you see what they thought was frightening," Nuzum says. "You see what they thought was sexy, and what they thought was forbidden."

The Southern Gentleman Vampire

The latest craze is the romantic — or even chivalrous — vampire. In HBO's True Blood series, vampires prowl openly through small-town America and even campaign for their civil rights.

Sookie, a young, pretty waitress, falls for a vampire named Bill, and, just like any young woman, her interest only intensifies when her friends object to her new crush:

"You don't know how many people he's sucked the blood out of," Sookie's friend warns.

True Blood is based on Charlaine Harris' "Southern Vampires" book series. Harris creates a fictional world inhabited by good and bad vampires alike. She constructs Bill as a genteel vampire who protects Sookie from the worst of his kind — even as he tries to reign in his own baser instincts.

Harris says Bill's restraint makes him all the more alluring: "I could rip you limb from limb, but because I think you're so great, I'm going to be very, very careful. That's got to be kind of intoxicating," she says.

Abstinence Only?

Edward, the hero of Stephenie Meyers' "Twilight" series, has stolen the hearts of "tween" girls everywhere. Fans of this conscientious young vampire live vicariously through his romance with Bella, his high school sweetheart.

Edward and his clan refuse to feed off humans, and Meyer explains that this choice is what makes him so popular.

"These are vampires," Meyer says. "They are these creatures who exist to hunt humans. They are evil and they choose something different. They find another way. And I think kids respond to the idea that it doesn't matter where I am in life; I always have a choice."

Nina Auerbach, author of Our Vampires, Ourselves, believes every age gets the vampire it wants.

"Vampires aren't supposed to be restrained," Auerbach says. "They're all our hungers. That's why they're vampires."

In the 1960s and '70s, she says, vampires took young women away from their narrow lives and transformed them. But when AIDS came onto the scene, even the fictional prospect of uninhibited bloodsucking fell out of favor. Though Auerbach says this is completely understandable, she finds this latest crop of vampires kind of ... boring .

"These are very abstinent vampires," Auerbach says. "If he truly loves you, he will not do it to you."

Whether they terrify, entrance or court their victims, vampires are always on the prowl. Waiting for that moment when the moon comes out, and the cultural spotlight shines on them again.

Defining Dracula: A Century Of Vampire Evolution

Dracula can't see his own reflection in the mirror because he is a reflection of the culture around him. Ever since Bram Stoker penned Dracula in 1897, the vampire's image has been a work in progress.

In the 43 sequels, remakes and adaptations of Stoker's novel, Transylvania's most famous son rarely appears the same way twice. He has evolved with the society around him. His physical traits, powers and weaknesses have morphed to suit cultural and political climates from the Victorian era to the Cold War.

Read on to see how the "Son of the Devil" has changed over time:

1450: The Real-Life Dracula

Vlad Tepes, Prince of Wallachia, c. 1450.
Hulton Archive/Getty Images

The original, real-life Dracula was not a vampire, did not drink blood, and didn't worship the devil, either. But he did do many terrible things (i.e., murder thousands of his countrymen) that would make "actual" vampires pale in comparison.

Vlad III, Prince of Wallachia or "Vlad the Impaler" is Count Dracula's historical namesake. His chosen last name "Dracula" translates to "son of the devil," or "son of the dragon" — a reference to a religious order founded by his father (Vlad Dracul).

Despite his famed ruthlessness, it is most likely that his name — chosen randomly out of a Transylvanian history book — was all that Dracula author Bram Stoker ever knew of him.

1897: Modeled After Walt Whitman?

Walt Whitman
Edward Gooch/Getty Images

Today, Dracula often conjures up images of a sexy, mysterious, debonair aristocrat, but Bram Stoker's 1897 Count Dracula was none of those things. There are many theories about how Stoker crafted Dracula's look; some have speculated that the Irish author modeled him after his personal hero, Walt Whitman. (Stoker once confided in a fan letter that Whitman could be "father, and brother and wife to his soul.")

Stoker writes that Dracula had a thick mustache, a large nose and white hair that "grew scantily round the temples but profusely elsewhere." (See how those rumors about Whitman — pictured above — got started?) He describes the Count's general look as "one of extraordinary pallor." Dracula had sharp teeth, pointy ears, squat fingers and hair in the palms of his hands. The sexy, debonair vampire was a creation of later generations.

A lot was going on when Stoker was working on Dracula at the turn of the 19th century: Victorian ideals of repressed sexuality and subservient women's roles were going out of style; Darwinism was just taking hold; and Jack the Ripper was on a murder spree.

Stoker's villain channeled all that — and a lot more — into one super bad guy who resonated with readers for decades. Dracula gradually became the most significant work of Gothic horror literature because it was the perfect vessel for the fears and desires of the era.

1931: Dracula As European Aristocrat

Bela Lugosi prepares to bite the neck of an unconscious woman in a still 'Dracula.'
Hulton Archive/Getty Images

As an evil intruder who disrupted innocent lives, Dracula personified all that was threatening, powerful, alluring and evil. In the 1920s and '30s, this translated into an Eastern aristocrat with slicked-back hair, a top coat and a medallion — a look that became the enduring standard for all vampires to come.

Hungarian actor Bela Lugosi became the quintessential Count Dracula in Tod Browning's film adaptation of Stoker's novel. Lugosi refused to wear any makeup that would obscure his face (he declined to play the original Frankenstein for the same reason), and so Lugosi's version of the Count never had fangs.

Lugosi made less than $3,000 for his work in the role, but nearly 80 years later, he is still considered the definitive Dracula.

1958: Dracula As Cold War Enemy

English actor Christopher Lee as the blood-sucking Count in 'Dracula A.D. 1972'
Silver Screen Collection/Hulton Archive/Getty

During the Cold War era, Count Dracula became superbad. His motives were unimportant — he was distilled into a vicious troublemaker with an appetite for destruction. Just as the U.S. viewed Cold War enemies as purely evil, Dracula became a character with whom it was impossible to empathize.

Christopher Lee's 1958 depiction of the Count had red eyes and huge fangs, often with some virginal gore hanging off them. Lee was a pro; he played the Count a total of six times — more than any other actor.

Lee's Count was so inherently menacing, that in one 1966 sequel, Dracula: Prince of Darkness, he had no lines at all — he just hissed at the camera throughout the film.

1979: Disco Dracula

Frank Langella on a poster for the 1979 movie 'Dracula.'
Universal Pictures

In the 1979 remake of the original Dracula, the vampire was updated for the disco era with chiseled good looks and severely blow-dried hair. Forget politics or world views with this Count. He represented a sexual creature free of moral anchors — able to do whatever (or whomever) he pleased.

It's probably no coincidence that this manifestation of the Transylvanian bad boy debuted less than two years after Saturday Night Fever. Frank Langella looks as if he plans to do "The Hustle" with Tony Manero right after he drains the blood from a few virgins.

2004: Dracula Goes Goth

Richard Roxburgh as Dracula in 'Van Helsing'
Universal Pictures

Goth, gaunt and hip, today's vampires look like roadies for the Smashing Pumpkins. They exude absolute freedom and irreverent power — and they're handsome to boot.

Aussie Richard Roxburgh played the Count in Van Helsing in 2004. Despite his Johnny Depp good looks, he transforms into a bat-like orthodontic nightmare when provoked.

In HBO's True Blood and author Stephenie Meyer's Twilight series, modern vampires disguise ugly evil below sexy allure. Today's Dracula reflects 21st century fears about people who are not what they seem.

Eric Nuzum is NPR's Director of Programming and Acquisitions, and author of The Dead Travel Fast: Stalking Vampires from Nosferatu to Count Chocula.