Muslim-Americans Try To 'Write' Hollywood's Wrongs Since Sept. 11, 2001, Muslim-Americans have been disappointed about how they are portrayed in film and television. Now, the Muslim Public Affairs Council is putting on workshops with veteran Hollywood writers to teach Muslims how to write their own scripts.
NPR logo

Muslim-Americans Try To 'Write' Hollywood's Wrongs

  • Download
  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript
Muslim-Americans Try To 'Write' Hollywood's Wrongs

Muslim-Americans Try To 'Write' Hollywood's Wrongs

  • Download
  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript


From member station KPCC, Alex Cohen has the story.

ALEX COHEN: Unidentified Woman: Salaam Alaikum, everybody. Good morning, hello. We have today T.S. Cook, Tom Cook, who is a veteran writer for television, movies and the theater, as well.

COHEN: Sitting at the back of the room is Marium Mohiuddin of the Muslim Public Affairs Council, the group hosting this workshop. She says in the past they've had some success serving as consultants to non-Muslim writers and producers at Hollywood studios. But realistic depictions of Muslims, both positive and negative, are still rare, she says.

MARIUM MOHIUDDIN: The Muslim-American community is kind of at that point. We're like, OK, we want these stories to be told; you're not telling it. So, we have to do it.

COHEN: So, they've enlisted insiders, like Oscar-nominated Tom Cook, to teach courses specifically tailored to Muslims.

TOM COOK: Because I've always thought of writers as outsiders, and who's more of an outsider in modern day America than Muslims?

COHEN: Among those taking notes from the veteran writer was Pakistani-born Avais Chughtai.

AVAIS CHUGHTAI: One of the things Tom Cook said: what the Hollywood industry likes is experiences, you know, the personal experiences. But it's up to us to actually go and write those experiences and share them.

COHEN: Unidentified Woman #2 (Actress): (as character) Tariq Ma...


EVAN ROSS: Unidentified Woman #2: There's no U-E after the Q.

ROSS: Unidentified Woman #2: Well, that's correct English.

ROSS: Unidentified Man (Actor): (as character) It's a Muslim name.


COHEN: Finding financing for "MOOZ-lum" was a real challenge, says director Qasim Basir. Hollywood executives didn't quite know what to do with a film about African-Americans who are also Muslims.

BASIR: Because we know how to sell "Big Momma's House 4," you know, we know how to sell the Tyler Perry movies. But this here, who's the audience for this?

COHEN: So far, "MOOZ-lum" has played well with Muslim audiences, but Basir hopes that the film will find success with non-Muslim moviegoers, too. And not just for commercial reasons - the filmmaker says he wants to improve the impression many Americans have of people like him.

BASIR: I am seeing a level of discrimination in this country that I have never seen in my life.

MOHIUDDIN: If all you see is bad, bad, bad, then how are you ever going to tell the American community, don't worry, you're fine, your Muslim neighbor is not going to do anything to you?

COHEN: But could TV shows and films actually have the power to curb prejudice? There is some precedence, says Diane Winston, who specializes in religion and media at the University of Southern California.

DIANE WINSTON: I have seen studies which suggest that American ideas about gays were changed by shows like "Will and Grace."

COHEN: Winston hopes these workshops will inspire writers to create the Muslim equivalent of "The Cosby Show" or a CSI detective who's just like other cops, but he has a prayer rug in his office.

WINSTON: Now more than ever, we need media representation to remind us that Muslims are our fellow citizens. That they are doctors, lawyers, policemen, teachers, just like the rest of us.

COHEN: For NPR News, I'm Alex Cohen in Los Angeles.

Copyright © 2011 NPR. All rights reserved. Visit our website terms of use and permissions pages at for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.