Journalists Navigate New 'Times' In 'Page One' Beginning in 2009, filmmaker Andrew Rossi spent over a year embedded in the The New York Times newsroom. The resulting documentary, Page One, records the paper's struggles to remain relevant in a new media landscape.
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Journalists Navigate New 'Times' In 'Page One'

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Journalists Navigate New 'Times' In 'Page One'

Journalists Navigate New 'Times' In 'Page One'

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A Y: Beginning in 2009, filmmaker Andrew Rossi spent over a year, deep inside the newsroom of The Times, and nearly every day brought bad news for the business of news.


David Carr and Andrew Rossi joined us to talk about "Page One."

ANDREW ROSSI: We're looking at The New York Times, really, through a sort of keyhole, which is the media desk. It's comprised of 14 journalists, all writing on various different aspects of the media landscape. I thought that it would make for a fantastic, sort of, play within a play.

MONTAGNE: Which meant that you followed - there are many characters - but basically for from the media desk. David Carr is one of them, and you're this enormously creative writer, but you have had, you know, quite a different history, I think than one that most candidates who were being hired by The New York Times have.

DAVID CARR: Yeah, I think drug addiction usually isn't featured prominently on people's resume. I know that The Times was aware of that and aware that I had done a few things since then; that I'd raised twin girls by myself, I had read newspapers and I seem to be a fairly stable candidate for employment. But the fact that I used to be a crack addict is not the only thing about me, but it's probably the most interesting thing about me.

MONTAGNE: David Carr, in the film you are extremely devoted to The New York Times. Let's play a clip of you representing The Times at a debate about the value of old media.


CARR: We have 17 million people that come to our web site. We put on a hundred videos every month. We have 80 blogs. We are fully engaged in the revolution. The New York Times has dozens of bureaus all over the world, and we're going to toss that out and kick back and see what Facebook turns up?


CARR: Well, I do have sort of an immigrant's love of the place. Yeah, I ended up being a little bit of moany(ph) about it. And sometimes, because I'm the media columnists, I end up on these panels and I get sort of excited. My daughter saw the film and she said, Dad, you're always yelling at people - you should stop yelling at people. And I said why should work be any different than home, honey?


MONTAGNE: And, Andrew Rossi, I wonder if you thought you were making a depressing documentary - or at least one that's bittersweet?

ROSSI: This is a period in which WikiLeaks became such a huge story. You know, it's just there's momentous things happening and the stakes are really high, because journalism, as being practiced in places where the mandate is original reporting, is really at risk.

MONTAGNE: Here's a clip from the movie of the Tribune Company's Chairman Sam Zell, telling an audience about what he thinks about those who bemoan the demise of mainstream, traditional journalism.

SAM ZELL: When you're reading The New York Times today, in the business section, you will see that the obituary of the newspaper industry. Jesus, what a bunch of (Beep).


ZELL: I'm not a newspaper guy. I'm a businessman.

MONTAGNE: I'm a businessman, and this is a man who controls several of the best traditional newspapers in the country.

CARR: And one of the cool things about the movie is it shows me talking with my editor, figuring out what the story is. And I've talked to other reporters and they say, and then you said you're going to take a couple weeks to write it. And that in this day and age is such a luxury and I try not to forget that; that I can just turn and say, look - yes, I'm going to blog. Yes, I'll be tweeting out. Yes. Yes. Yes. But for this longer site, it's going to take me a couple of weeks to get it together. Never would have happened if I didn't work at the paper that I do.

MONTAGNE: In the end, Andrew Rossi, did you come away feeling that the New York Times was part of the larger picture, the troubled picture of newspapers, traditional media? Or did that it would pull it off?

ROSSI: Ultimately, I think it's for viewers to decide whether a place like The New York Times is worth keeping alive.

MONTAGNE: Filmmaker Andrew Rossi and New York Times media columnist David Carr.

Y: A Year Inside The New York Times" is out today.

: And from NPR News, it's MORNING EDITION. With Renee Montagne, I'm Steve Inskeep.

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