A Mud-Slinging Political Drama Returns To Broadway Gore Vidal's 1960 play The Best Man will strike audiences as surprisingly timely: When a political party gathers to nominate a presidential candidate, they find both leading contenders flawed and the convention deadlocked. Jeff Lunden reports on a new star-studded revival that asks, who's the "best man" for the job?
NPR logo

A Mud-Slinging Political Drama Returns To Broadway

  • Download
  • <iframe src="https://www.npr.org/player/embed/149698193/149787868" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript
A Mud-Slinging Political Drama Returns To Broadway

A Mud-Slinging Political Drama Returns To Broadway

  • Download
  • <iframe src="https://www.npr.org/player/embed/149698193/149787868" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript


It's July 1960 in Philadelphia. A political party has gathered to nominate a presidential candidate, but both leading contenders are flawed and the convention is deadlocked. Who is the best man for the job? Gore Vidal's 1960 play, "The Best Man," which opens on Broadway tonight, is surprisingly timely. It features an all-star cast: James Earl Jones, Angela Lansbury, Candice Bergen, John Larroquette, and Eric McCormack among them.

Jeff Lunden reports.

JEFF LUNDEN, BYLINE: One candidate is an intellectual liberal; the other, a populist conservative. Michael Wilson, director of "The Best Man," says Gore Vidal, the outspokenly liberal author of the play, originally wrote it with a very specific agenda in mind.

MICHAEL WILSON: He, in part, wrote the play to help John F. Kennedy get elected president, because he was concerned that Kennedy was so smart and was so exceptionally bright that people would mistrust him and they might go with, say, a Lyndon B. Johnson who was vying for the nomination at the time that Gore wrote the play.

LUNDEN: And Wilson adds Vidal opened up a window into what really went on in those back rooms at brokered political conventions.

WILSON: Gore Vidal is the ultimate insider to American politics who remained an outsider. He used his access to give all of us who don't have that kind of access a window on what it is to really be a public servant and to strive to be a public servant.

LUNDEN: The smoke-filled rooms of 1960 may be gone. Today, conventions ratify the choices of primary voters, but actor John Larroquette says the fight for political dominance still feels current.

JOHN LARROQUETTE: Looking at it as a piece of theater, I think it's very entertaining. And the parallels to what's happening in this particular race year, I suppose, is very pertinent. You know, the whole idea of religion in politics and the idea of what are you willing to do to win, how much are you willing to do anything possible in order to get the votes that you want.

LUNDEN: Larroquette's character, William Russell, a blue-blooded, Harvard-educated former secretary of state, is pitted against Joe Cantwell, a scrappy, telegenic conservative senator, who's not beyond using smear tactics. Eric McCormack plays him.

ERIC MCCORMACK: He plays to win; nothing else makes any sense to him. He simply doesn't understand the concept of fair play for fair play's sake. Somebody has to win and it's going to be him. And the concept that dirty tricks are dirty, or that mud-slinging is wrong, that there's a nice way to play is beyond him.

LUNDEN: While the audience doesn't meet Joe Cantwell until a half-hour after "The Best Man" begins, they certainly hear a lot about him. Here are John Larroquette and James Earl Jones, as former president Artie Hockstader.


JAMES EARL JONES: (as Artie Hockstader) Joe Cantwell is nothing but ambition, just plain naked ambition.

LARROQUETTE: (as William Russell) And to get elected, he will lie.

JONES: (as Artie Hockstader) Yup.

LARROQUETTE: (as William Russell) He will cheat.

JONES: (as Artie Hockstader) Yup.

LARROQUETTE: (as William Russell) He'll destroy the reputations of others.

JONES: (as Artie Hockstader) Yup. Good.

LARROQUETTE: (as William Russell) So, I assume you're endorsing me for the nomination.

JONES: (as Artie Hockstader) Hell no.


JONES: (as Artie Hockstader) Just because he's a, just because he's a bastard, don't mean he wouldn't make a good candidate or even a good president.

LARROQUETTE: (as William Russell) Joe Cantwell, a good - you're not serious.

JONES: (as Artie Hockstader) He's got a real sense of how to operate.

LARROQUETTE: (as William Russell) Operate? No, accommodate. If the people are conservative...

JONES: (as Artie Hockstader) He'd be conservative.

LARROQUETTE: (as William Russell) If they're radical...

JONES: (as Artie Hockstader) He'd be radical. Oh, I tell you, son, he's a kind of a ring-tail wonder.

LUNDEN: And that ring-tail wonder has the goods on his opponent. Russell is a womanizer who several years before was quietly hospitalized with a nervous breakdown. But Russell also has the goods on Cantwell - a family man who may or may not have engaged in homosexual activities while in the Army. The question is: are they going to use this information against each other - in those pre-Twitter days - by releasing it to the press?

John Larroquette says the two candidates in the play are leading up to, in the parlance of the day, assured mutual destruction.

LARROQUETTE: Are you willing to destroy someone else's reputation? Are you willing to market in innuendo and gossip, and not talk about the person's actions, as far policy is concerned, but his personality, as far as his private life is concerned?

LUNDEN: They square off in a third-act confrontation.

Eric McCormack.

MCCORMACK: And it's not like Cantwell is an idiot. He certainly doesn't believe in intellectualism for its own sake, but he's smart. He's very, very smart. And to see their two different kinds of smart attack each other in the ring is fascinating.


LARROQUETTE: (as William Russell) I came down here to convince you to drop that nonsense against me, as I mean to drop this nonsense against you. These things are irrelevant; dishonest, not to mention untrue. They cancel each other out. So yes, please, I wish you would join me in not indulging in personalities. I will tear this up. I will send Sheldon Marcus back to where he came from if you drop that nonsense against me.

MCCORMACK: (as Joe Cantwell) I see. You came here to make a deal with me.

LARROQUETTE: (as William Russell) No, Joe. I don't make...

MCCORMACK: (as Joe Cantwell) That makes perfect sense, what you're doing. And I have no hard feelings, really, I mean it - so don't be apologetic.

LARROQUETTE: (as William Russell) You have no feelings, I would say.

LUNDEN: Several scenes in "The Best Man" end with one of the highly flawed candidates saying may the best man win, says director Michael Wilson.

WILSON: Is the best man one that can, you know, act quickly out of animal reflex, to quote Gore? Or is it someone that actually does reflect and have a conscience and will often think before he acts?

LUNDEN: And audiences may find the ultimate answer to that question very surprising. "The Best Man" opens at the Schoenfeld Theatre on Broadway tonight.

For NPR News, I'm Jeff Lunden in New York.

Copyright © 2012 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.