The Zombies: Reaching Across Decades Rod Argent and Colin Blunstone, founding members of the influential band, discuss what keeps bringing them back after all these years.
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The Zombies: Reaching Across Decades

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The Zombies: Reaching Across Decades

The Zombies: Reaching Across Decades

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Here at NPR, there's a small space up on the fifth floor between a desk and shelves, crammed with CDs and books about music. It's basically a stage for musicians who come to perform what we call Tiny Desk Concerts.

This week, a legendary 1960s rock band visited our tiny stage.

UNIDENTIFIED MAN: Our Tiny Desk Concerts with The Zombies is about to begin, so please head on over to the skinny end of the fifth floor. Thank you.


WERTHEIMER: We've got a new album out actually. And we're going to do a song from the album called "Any Other Way."


THE ZOMBIES: (Singing) Still remember seeing you standing there alone in a crowded room. Suddenly, your presence fills the air, nothing that I could do. Always knew you were the only one, I never told you so. Thought you'd understand what I had done when I had to let you go...

WERTHEIMER: The Zombies, Rod Argent and Colin Blunstone, came together in 1961 to form The Zombies and maybe best known for hits like "Time of the Season." Or maybe it would be this one, "She's Not There."


ZOMBIES: (Singing) No one told me about her, the way she lied. No one told me about her, how many people cried. But it's too late to say you're sorry. How would I know? Why should I care? Please don't...

WERTHEIMER: Their 1968 album "Odessey and Oracle" was very well reviewed. And now, more than 40 years later, they have a new album, titled "Breathe Out, Breathe In." They join us in the studio now.

Colin, Rod, welcome.

COLIN BLUNSTONE: Thank you very much.

ROD ARGENT: Thank you very much.

BLUNSTONE: Great to be here.

WERTHEIMER: Now, Rod, you're looking out at the audience in this The Tiny Desk Concert.


WERTHEIMER: And, you know, I am way the oldest person there, no kidding.


WERTHEIMER: I mean, you're looking at a whole new generation.

ARGENT: You know, you are and the great thing is "Odessey and Oracle" came out, it wasn't really a hit. And then about 12 years later, the guy from The Jam...

BLUNSTONE: Paul Weller.

ARGENT: ...Paul Weller started to talk about the album, and said it was his favorite album of all time. And he said that again this year. And the record sells more every year now than it did when it first came out.


ARGENT: We almost always have young bands come see us. We, you know, it's such a privilege to be at this stage in our careers and to be able to get that energy back.

WERTHEIMER: Now, all of these years, since those hits in the '60s, what has kept the two of you coming back to each other to make music? There've been little intermissions in there but you've come back. Is there something that the two of you do together that is just not as good as what you do apart, do you think?

BLUNSTONE: I'm not really sure. I mean if we were to go right back to The Zombies, and from 1961, we were all quite modest musicians individually. But when we played together, something happened.


ZOMBIES: (Singing) What's your name? What's your name? Who's your daddy? Who's your daddy? He rich, is he rich like me? Has he taken, has he taken, any time, any time, to show, to show you what you need to live...

ARGENT: And I think it is something to do with the fact that the earliest music in Rock and Roll that we made was together. And you grow up learning your trade at that very important time, you know, when you're 15, 16, 17 years old. And you're learning so quickly then and fashioning things around each other. And I think it's something to do with that.

WERTHEIMER: But you sing as if you were brothers. You know, your voices are similar. You sing very close...

ARGENT: Well, they do match, don't they?

WERTHEIMER: Yes, they do. I think...

ARGENT: I don't think they are terribly similar actually. If you get them apart...

BLUNSTONE: No, they just seem to work together when we sing together.

ARGENT: When we sing together.



BLUNSTONE: And, you know, and Rod always says that when he's writing, subconsciously he's got my voice...

WERTHEIMER: He hears it, yeah.

ARGENT: Totally.

BLUNSTONE: his head when he's writing.


ZOMBIES: (Singing) Tell you what? I really want to know. It's the time of the season for loving...

WERTHEIMER: Well, the other thing that you brought to this, Rod, obviously in your keyboard playing is that you bring a sort of jazz sensibility to it. You play a sort of honky-tonkish piano, if you want to. I mean, there's a lot different strands that go into this music. I must say I like that part, the sort of layering.

ARGENT: Well, I think the thing is that we never thought we doing anything. I mean, when I was writing "She's Not There," I just thought I was writing a song by the Beatles, if you like.


ZOMBIES: (Singing) But it's too late to say you're sorry. How would I know? Why should I care? Please don't bother trying to find her. She's not there. Well, let me tell you about the way she looks, the way she acts and the color of her hair. Her voice was soft and cool. Her eyes were clear and bright but she's not there...

ARGENT: In retrospect, when I listen to our stuff, it actually doesn't sound like anybody else. It sounds very distinctive, even though we thought very much like when John Lennon wrote I think it was "I'm a Loser." He thought he was being Bob Dylan. It was nothing like Bob Dylan. But, you know, you're own influences come through, or your own personality comes through, and changes what you're imagining into something of your own.

WERTHEIMER: Your album "Odessey and Oracle," Rolling Stone magazine put that at Number 80 on their list of 500 Greatest Albums.

ARGENT: I know. As I said, that's the extraordinary thing. It took a long time to start...

WERTHEIMER: And to build.

ARGENT: ...generating and building.

WERTHEIMER: But one of the things is interesting about that was that right after it came out, you decided to stop playing together.

BLUNSTONE: Well, strangely enough we actually decided to stop playing before it came out...


BLUNSTONE: ...which I always thought is not one of the shrewdest decisions...

ARGENT: Questionable decision there.

BLUNSTONE: Yes, it's not the shrewdest of business decisions. We deserted this poor album, "Odessey and Oracle." I remember us all leaving one room after a conversation where we said the band has to end. And I had a very lonely drive home to - well, I lived with my parents. And I thought, what, I'm 22. Have I retired?


BLUNSTONE: Is this it?


BLUNSTONE: Am I now going to be a gentleman of leisure? I had no plans whatsoever. Eventually, I did get back into the recording industry but...

ARGENT: And pretty soon, actually.

BLUNSTONE: Yeah, within a year or so. It's quite difficult explaining to - when we do interviews in the States that my solo career, I've had many, many hit songs. But unfortunately they were never hits in America, so you just have to take my word for it.


ARGENT: OK, we will try one last one which is a big solo hit that Colin had, actually, in Europe. And it's called "I don't Believe in Miracles." That's what we're going to do.


WERTHEIMER: The Zombies, Rod Argent and Colin Blunstone, joined us after they played a Tiny Desk Concert, which you can see at


ZOMBIES: (Singing) I walk along the road and passed your door. Then I remember things you said...

WERTHEIMER: This is WEEKEND EDITION from NPR News. I'm Linda Wertheimer.


ZOMBIES: (Singing) So much more. If you want to come back home, go right ahead. But I don't believe...

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