NYC Labor Chorus Tries To Hit Right Note, Attract New Voices The New York City Labor Chorus has been singing the tune of unions and workers for more than 20 years. Now, with numbers of union membership decreasing, can the group carry a tune and message that will draw a new generation of singers?
NPR logo

NYC Labor Chorus Tries To Hit Right Note, Attract New Voices

  • Download
  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript
NYC Labor Chorus Tries To Hit Right Note, Attract New Voices

NYC Labor Chorus Tries To Hit Right Note, Attract New Voices

  • Download
  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript


And the nation's postal workers aren't the only ones facing shrinking job prospects. Union membership is at its lowest point since perhaps the 1930s. Just over 11 percent of U.S. workers currently belong to a labor union. But a group of activists known as the New York City Labor Chorus is trying to make the labor movement resonate by giving voice to some old labor ballads. NPR's Margot Adler reports.


JANA BALLARD: Basses - ta. Tenors, ta, ta. Ready, and go.

NEW YORK LABOR CITY CHORUS: (Singing) Yes, you're going to make a friend of the workers...

MARGOT ADLER, BYLINE: Jana Ballard is the choral director of the New York City Labor Chorus. She's 38, which among this group is young. The average age of the 80 or so members is about 65. Ballard grew up in Kentucky and now teaches voice and chorus at LaGuardia High School, often called the "Fame" school. She was intrigued when this job opening appeared. She never knew any labor songs.

BALLARD: Even though I didn't know this music, it really hit home with me because I understand working hard, I understand the struggles of working people.

ADLER: Still, there were difficulties coming to a group of mostly elderly people, some of whom had been together for two decades. I'm a strict teacher, she says, and these were my elders.

BALLARD: But I had to separate myself from that aspect and just think these are singers. And then as we got better, people would stop and listen and pay attention. And that's when I kept telling the group, you know, the better we sound, people are going to pay attention to what we're singing.

ADLER: Now, I'm going to confess - when I heard about the New York City Labor Chorus, I expected some old renditions of "Solidarity Forever" and "Union Made," and they do those songs. I thought aging voices, old songs. I was not prepared for what I heard at a simple rehearsal in an office at the headquarters of the United Federation of Teachers.


CHORUS: (Singing) Some ask, why do we still have unions? Some ask, what have they done for me? Some ask, aren't they the workers' burden? Their time's come and gone. But we're here to disagree.

ADLER: Chorus president Barbara Bailey remembers the chorus started when a bunch of people from different unions realized that most union members have no knowledge of their history.

BARBARA BAILEY: The art of singing was being lost. A lot of union members don't know labor songs and really don't even know too much about labor and we felt that this would be a way of reintroducing it to some and introducing it to others.

ADLER: The chorus has traveled to Sweden, Wales and Cuba. They've played at schools and at strikes. You don't have to belong to a union to be in the chorus, says Susan Zugaib, who is the secretary and head of the alto section.

SUSAN ZUGAIB: All we really ask is that you have the values and that you are union sympathizers.

ADLER: But now that unions are weaker, under assaults, she says, they're really trying to emphasize their importance.

ZUGAIB: Because, you know, we are forgetful and we take for granted all the advances we've made as if they would have just been there without unions.

ADLER: Like the 40-hour week, the weekend, job security, sick days, she says. Betty Reid, a postal worker just turning 63, says when they sing they also educate.

BETTY REID: People will come and they'll say I never knew that, I wasn't aware of that, because a lot of this stuff is not really taught.

ADLER: Jerry Gillia, a former teacher, is 75 and in a wheelchair. He says he's a realist. Unions have shot themselves in the foot sometimes, done some bad things and most people don't understand the good they've done. As to whether singing in the chorus helps the union movement...

JERRY GILLIA: Honestly, I don't think it makes that much difference. I've thought about it and wondered how could we approach it to convince people and let them understand that the effect that the union movement had on this country?

ADLER: So why do he and his wife keep coming back?

GILLIA: It gives us a chance to kind of keep our hand in. We're still part of the fight, and a small part, but part of the fight for the things that we believe in.

ADLER: When you listen to the old CDs of the chorus, they've clearly improved a lot. Here they are at the rehearsal with their version of "Rocking Solidarity."


CHORUS: (Singing) They have taken untold millions that they never toiled to earn. But without our brain and muscle, not a single wheel could turn. We can break their haughty power, gain our freedom when we learn - it's the union, yes - the union makes us strong.

ADLER: Despite this spirit, can a new generation be attracted to these struggles and these songs, given the weakening of unions? Barbara Bailey notes that young people today often have two or three jobs, no time to come to rehearsals. Yet to survive, the chorus needs to attract a new generation.

BAILEY: Somebody has to take over from us. You know, I've been with the chorus, you know, like 20-something years, and somebody has to move in this spot.

ADLER: It's not clear if that will happen.


CHORUS: (Singing) ...the union makes us strong.

ADLER: Margot Adler, NPR News, New York.

Copyright © 2013 NPR. All rights reserved. Visit our website terms of use and permissions pages at for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.