Movie Review - "The Spectacular Now' - A Good Girl And A Lost Boy, Looking For A Way Forward From the writers of 500 Days of Summer, The Spectacular Now examines the not-so-spectacular markers of teenhood: the awkwardness and anxiety that everyone must endure. Shailene Woodley and Miles Teller are the two lovers at the forefront of this story based on a novel by Tim Tharp.
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A Good Girl And A Lost Boy, Looking For A Way Forward

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A Good Girl And A Lost Boy, Looking For A Way Forward


Movie Reviews

A Good Girl And A Lost Boy, Looking For A Way Forward

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Amid the blockbusters at the multiplex this summer is the new film "The Spectacular Now" which centers on a pair of mismatched teen lovers who affect each other deeply - for better and worse. The director is James Ponsoldt who did the alcoholism drama "Smashed." The film stars Miles Teller, Shailene Woodley from "The Descendents," Jennifer Jason Leigh, and Kyle Chandler. Film critic David Edelstein has this review.

DAVID EDELSTEIN, BYLINE: The teen romance "The Spectacular Now" is by turns goofy, exhilarating, and unreasonably sad. Just like being a teenager. It centers on a fast talking, hard drinking high school party animal named Sutter Keely who boasts of living for today and in the now instead of, say, studying, and how he takes up with a girl named Amy who's the opposite of a party animal.

At first, it's obvious that he's only with Amy as a rebound thing. His beautiful blonde ex Cassidy has dropped him and he wants to make her jealous. But more and more, we see something deeper in the pair's connection And we begin to perceive the looming tragedy in Sutter Keely's life.

"The Spectacular Now" is based on a fine, unshowy novel by Tim Tharp, which is made showier and slicker in the script by Scott Neustadter and Michael H. Weber - they made the indie hit "500 Days of Summer." But director James Ponsoldt turns off the metronome in every scene, letting the actors find their own gentle rhythms.

Sutter is played by Miles Teller, who didn't get the attention he deserved in a tough role in the film "Rabbit Hole." Teller doesn't have a trained actor's diction, but it's that touch of amateurishness that makes his Sutter more believable; the last thing you want here is a song-and-dance kid who looks as if he came straight from theater camp.

Shailene Woodley is just as convincing as Aimee. She's so airy and modest and fragile that I didn't recognize her as George Clooney's mouthy eldest daughter in "The Descendants." Aimee and Sutter's walk in the woods during a party is a peak moment of happiness.


MILES TELLER: (as Sutter) What about, uh, what about like ex-boyfriends?

SHAILENE WOODLEY: (as Aimee) Um...

TELLER: (as Sutter) Say, we need an ex-boyfriend in there.

WOODLEY: (as Aimee) No. I - I don't have one.

TELLER: (as Sutter) Who's, like, an ex-boyfriend that just, like, really pissed you off that you just, uh, just, like, you hate him.

WOODLEY: (as Aimee) I...

TELLER: (as Sutter) And they're just like...

WOODLEY: (as Aimee) I don't have an ex-boyfriend.

TELLER: (as Sutter) What?

WOODLEY: (as Aimee) Yeah.

TELLER: (as Sutter) You don't have a single - you're 17 years old. You don't have an ex-boyfriend?

WOODLEY: (as Aimee) No.

TELLER: (as Sutter) Really?

WOODLEY: (as Aimee) Sutter, guys don't look at me like that.

TELLER: (as Sutter) That's shocking. Absolutely guys look at you like that.

WOODLEY: (as Aimee) No, no, no.

TELLER: (as Sutter) I just saw two guys look at you like that. Eric Wolf and Cody Dennis were...

WOODLEY: (as Aimee) No, no.

TELLER: (as Sutter) ...100 percent hitting on you.

WOODLEY: (as Aimee) We were just talking. They were not hitting on me.

TELLER: (as Sutter) A hundred percent.

WOODLEY: (as Aimee) No, no. There was absolutely no way...

TELLER: (as Sutter) Abs-yes, they were. Why don't think they were hitting on you?

WOODLEY: (as Aimee) Because I'm just...they weren't.

TELLER: (as Sutter) Because you're what? Aimee, you are absolutely beautiful.

WOODLEY: (as Amy) Oh, my god. No.

EDELSTEIN: The kiss that follows is brief, it's one of the most vivid I've seen in a movie about teens. The dark lining in the silver cloud of "The Spectacular Now" is Sutter's omnipresent bottle of beer or 7-Up laced with whiskey. His living in the now turns out to be living loaded, and it isn't long before he has Aimee - a superb student who'll have to put herself through college - trying to keep up with him.

Director Ponsoldt has clearly worked hard to keep the don't drink, kids message from utterly swamping the romantic comedy. He has a light touch. Bottles of booze don't dominate the frame; they're always there but low down or off to the side. And Sutter really is a fun, likable guy. You can see how he thinks his drinking makes him more of a blast - a gonzo outlaw in a world of stuck-up straights.

It's too bad the filmmakers left out the scenes that were in the book that show how far Aimee falls in Sutter's company. My guess is they feared those ugly moments would shove "The Spectacular Now" too violently out of the teen-romantic-comedy genre. Otherwise, the movie is all good. You'll have to wait until later this month to see Brie Larson's breakout performance in a phenomenally moving film called "Short Term 12," but the shadings she gives to Sutter's ex-girlfriend, Cassidy, are remarkable.

"Friday Night Lights" actor Kyle Chandler is just stunning as Sutter's long-absent dad, full of macho bombast but with furtive, tragic eyes. The movie's title, of course, is ironic. For most teenagers, the now isn't spectacular - it's messy and strange and filled with anxiety. That's what this movie captures: a period where, try as we might, we never knew what we were supposed to do with the pain.

DAVIES: David Edelstein is film critic for New York magazine. You can download podcasts of our show at Follow us on Twitter at nprfreshair and on Tumblr at


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