This Year, Biblical Films Are Fruitful And Multiplying There's a flood of biblical proportions this year in Hollywood: Noah, Exodus and Son of God are all hitting big screens in 2014. What meaning hath this year's spate of Bible-based films?
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This Year, Biblical Films Are Fruitful And Multiplying

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This Year, Biblical Films Are Fruitful And Multiplying

This Year, Biblical Films Are Fruitful And Multiplying

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  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
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This is MORNING EDITION from NPR News. I'm Linda Wertheimer.


And I'm Steve Inskeep, good morning.

This is the year of the great flood, the great flood of Hollywood movies based on the Bible.


RUSSELL CROWE: (as Noah) The waters of the heavens will meet the waters of the Earth. We build the vessels, survive the storm.

INSKEEP: That's "Noah," starring Russell Crowe. It floats into theaters this week. And it follows another Bible-based movie released by 20th Century Fox, called "Son of God." Later this year, we will see "Exodus," a 3D epic based on the story of Moses from director Ridley Scott.

NPR's Neda Ulaby wondered why the sudden deluge.

NEDA ULABY, BYLINE: I asked the producer of "Son of God" that question. Why so many Bible movies in 2014?

MARK BURNETT: It just has to be that God is moving. There's not other explanation for it.

ULABY: Mark Burnett is a devout Christian who made his name in secular television, with shows like "The Apprentice" and "Survivor." But last year, his mini-series, "The Bible," drew more than 11 million viewers to the History Channel. Burnett and his wife, Roma Downey, decided to turn it into a film. Partly because so many previous Bible movies felt quaint.


CHARLTON HESTON: (as Moses) Soon to be among us. One whose sandals I am not worthy to carry.

ROMA DOWNEY: We refer to them as the donkeys and sandals movies.

ULABY: Roma Downey coproduced "Son of God."

DOWNEY: I grew up in Ireland. And we used to sit on the couch every Easter as we were watching "The Greatest Story Ever Told," you know, it repeated every year with Max Von Sydow and we loved it.


MAX VON SYDOW: (as Jesus) My father, if it be possible let this cup pass away from me.

DOWNEY: But that movie is almost 50 years old.

ULABY: Bible movies have been around for as long as there've been movies, says William Romanowski. He's a film professor at Calvin College. He says historically Hollywood used Bible movies to get around a strict moral production code.

WILLIAM ROMANOWSKI: You could have six reels of tickets selling sinfulness if, in the seventh reel, you know, all the sinner came to an end and good triumphed over evil.


ULABY: For example, in a silent film from 1927, Mary Magdalene has a steamy affair with Judas Iscariot. But Bible movies became especially important prestige films in the 1940s and '50s, with "Samson and Delilah," "Quo Vadis" and "Ben-Hur."


UNIDENTIFIED MAN #1: (as character) There's a wild man in the desert named John, who drowned people in water. There's a carpenter son who goes around doing magic tricks...

ULABY: In the postwar period, William Romanowski says Hollywood tried to appeal to what it saw as a large niche audience, urban Catholics, with movies like "The Robe" and "The Song of Bernadette." But starting in the 1970s, evangelical Protestants began to emerge as powerful media consumers.


WILLEM DEFOE: (as Jesus) Father, why have you forsaken me?

ULABY: Evangelicals were among those who excoriated "The Last Temptation of Christ" in 1988, for a controversial dream sequence. Christ abandons the cross, marries Mary Magdalene and begets children with her. Evangelicals released their own independent faith-based movies. But they usually focused on contemporary life rather than Biblical re-enactments. Then 10 years ago, Mel Gibson released "The Passion of the Christ."


UNIDENTIFIED MAN #2: (Foreign language spoken)

ULABY: Filmed in Latin, Aramaic and Hebrew, it remains the biggest independent film ever. Film Professor William Romanowski says scholars hotly debated the extent to which its emphasis on Christ's suffering reflected Gibson's conservative Catholic beliefs.

ROMANOWSKI: One line of Scripture, Pilate had Jesus flogged became the dramatic cornerstone of the movie.


UNIDENTIFIED MAN #3: (Foreign language spoken)

ULABY: When you look back at Hollywood's history of making Bible-based movies, you'll see they're often most successful after wars, says Romanowski. Maybe that reflects a hunger for stories people learn as children, something comforting and foundational after a collective trauma. And maybe that's what's happening now.

But that's the opposite of what director Darren Aronofsky and co-screenwriter Ari Handel wanted to do with "Noah." They say it's usually seen as kind of a nursery story.

DARREN ARONOFSKY: With animals, it's this kindly gentleman with two giraffes and two elephants sitting on a little toy boat.

ULABY: Ari Handel says the darkness in the "Genesis" version is partly what makes "Noah" timely.

ARI HANDEL: Certainly there's been an interest in apocalyptic stories in recent years and this is maybe the first apocalyptic story.


CROWE: (as Noah) It begins.

ULABY: The movie has stirred up the ire of some conservative Christians, who suspect Handel and Aranofsky of using a story about environmental catastrophe to push a liberal message about climate change and conservation. But Handel says, the Biblical Noah is a tale essentially about stewardship.

HANDEL: You know, at its heart what we know about it is Noah's sent to save the animals, not just the ones that are useful to mankind or the cuter varieties or the ones that happens to be nearby.

ULABY: It's the whole ecosystem. Biblical movies ten to reflect the political anxieties of their times, says Professor William Romanowski. Take "The Ten Commandments" from 1956, he says, starring Charlton Heston, directed by Cecil B. DeMille.

ROMANOWSKI: DeMille's film was really a Cold War film. And he, at the beginning of the film, comes out from behind a curtain and stands on a stage and announces that this is the story of the beginning of the birth of freedom.

CECIL B. DEMILLE: The theme of this picture is whether man ought to be ruled by God's law or whether they are to be ruled by the whims of a dictator, like Rameses. Are men the property of the State or are they free souls under God?

ULABY: Ari Handel says he was not coming out of a terribly religious place with "Noah." But when he and Darren Aranofsky were studying the source material and writing the script, he says they understood themselves as participating in the Jewish tradition of midrash.

HANDEL: Ah. It's a dialogue amongst people and the stories, you see questions posed by story: What is unanswered? What seems to be confusing about it? It means that the story is alive.

ULABY: It's likely that any story that survived 2,000 years can also withstand what for Hollywood would be a disaster of Biblical proportions - not frogs, locusts or rain - but even worse, bad box office.

Neda Ulaby, NPR News.

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