Loneliness And Longing — And Woody Allen — In 'Fading Gigolo' Bob Mondello reviews the new Fading Gigolo, a surprisingly sweet dramedy in which John Turturro plays the gigolo, Woody Allen plays his pimp, and things don't go nearly as wrong as they could.
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Loneliness And Longing — And Woody Allen — In 'Fading Gigolo'

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Loneliness And Longing — And Woody Allen — In 'Fading Gigolo'

Review

Movie Reviews

Loneliness And Longing — And Woody Allen — In 'Fading Gigolo'

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AUDIE CORNISH, HOST:

From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

Actor John Turturro is probably no one's idea of a matinee idol, not with that long face and hangdog appearance. But he went ahead and cast himself as the title character in his new movie, "Fading Gigolo." And he cast Woody Allen as his pimp. Critic Bob Mondello says it's easy to imagine ways this concept might go wrong but it doesn't.

BOB MONDELLO, BYLINE: An Upper West Side bookstore has a going-out-of-business sign in its window and a head clerk, Fioravante, who is packing up the shelves as his boss, Murray, fills the empty store with chatter.

(SOUNDBITE OF MOVIE, "FADING GIGOLO")

MONDELLO: This is a gag premise, maybe even one that makes you gag a little. But credit the script with understanding that.

(SOUNDBITE OF MOVIE, "FADING GIGOLO")

MONDELLO: Fioravante resists at first. But without a job, he'll need the money and so will Murray with the bookstore closing. So when the take-charge-but-nervous dermatologist reaffirms her interest...

(SOUNDBITE OF MOVIE, "FADING GIGOLO")

MONDELLO: ...Fioravante decides what the hell.

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MONDELLO: If you're thinking male fantasy on steroids, you're not wrong. But John Turturro, who wrote and directed "Fading Gigolo" in addition to starring in it, has conceived the promised menage-a-trois as a kind of delirious anti-climax, one he builds to with more nuanced stories about Murray's domestic situation with an African-American mom and four kids; about a Jewish neighborhood watch group that works with Brooklyn Police and rabbinical courts; and about a Hasidic widow, who brings all these threads together and becomes the innocent heart of "Fading Gigolo" when Murray introduces her to Fioravante, not for sex, but because widowhood has pulled her so utterly away from the world.

Woody Allen reportedly had a hand in helping Turturro refine the script, and together, they've succeeded in keeping the mood light even as the filmmaker is gently tugging the plot in other directions - to look at loneliness and longing and heartbreak - things that if you think about it are just would you'd expect to find in a film about a gigolo, though perhaps not a film with as much charm and sweetness as "Fading Gigolo." I'm Bob Mondello.

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