In 'Belle,' A Complex Life Tangled In Class And Commerce Bob Mondello reviews Belle, based on a true story about a child of an admiral and a Caribbean slave, raised as an aristocrat in 18th century England.
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In 'Belle,' A Complex Life Tangled In Class And Commerce

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In 'Belle,' A Complex Life Tangled In Class And Commerce


Movie Reviews

In 'Belle,' A Complex Life Tangled In Class And Commerce

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Fox Searchlight had an incredible success with "12 Years a Slave." The film about a free black man hauled into slavery, won this year's Best Picture Oscar. Well, now the studio is bringing out what our critic Bob Mondello says the reverse of that story. It's a film called "Belle."

BOB MONDELLO, BYLINE: Belle's mother was a slave on a Caribbean island, her father, a British admiral unaware that he even had a child until her mother's death in 1769. But he was quick to acknowledge that he had a responsibility to his now 6-year-old daughter, and to do something that many of that era would not have: Take her to England so that while he's at sea, she can be raised by his family.


MATTHEW GOODE: (as Captain Sir John Lindsay) I'm here to take you to a good life, a life that you were born to.

MONDELLO: His wealthy, influential family - somewhat to their shock.


GOODE: (as Captain Sir John Lindsay) I beg you, Uncle, love her as I would were I here and ensure that she is in receipt of all that is due to her as a child of mine.

TOM WILKINSON: (as Lord Mansfield) Do you have in mind my position?

MONDELLO: Uncle's position is that of lord chief justice, one of England's most senior judges. But for that very reason, Lord Mansfield is confident, more than his wife is that society's rules will make sense of their unusual family situation.


PENELOPE WILTON: (as Lady Mansfield) So, now we have two nieces in our guardianship.

WILKINSON: (as Lord Mansfield) Elizabeth was in much need of a companion.

WILTON: (as Lady Mansfield) And that is what we shall say when questions are asked.

WILKINSON: (as Lord Mansfield) We shall say that in accordance with her birthright, she is entitled to live beneath this roof. That is the nature of order.

WILTON: (as Lady Mansfield) And where in that order should her color be placed?

MONDELLO: Dido, as Belle will be known by the family, will grow up just as sheltered and pampered as her blond cousin, Elizabeth, but with a few extra rules. She can't dine with the family, for instance, though she can meet guests away from the dinner table - a tad awkwardly.


UNIDENTIFIED WOMAN #1: Good Lord, it's a Negro.

UNIDENTIFIED WOMAN #2: I had no idea she would be so black.

UNIDENTIFIED MAN: They do not listen to the rumors, spreading them (unintelligible).

MONDELLO: Belle, who's played as an adult by Gugu Mbatha-Raw, is genteel but increasingly assertive as she's subjected to all sorts of indignities, especially when she comes of marriageable age. She's also kept in the dark about a court case Lord Mansfield is grappling with: a slave ship massacre where the crew threw more than 100 sickly Africans overboard, then made an insurance claim for damaged cargo.

The courtroom arguments give the film much of its heft. But director Amma Asante is intent on making other points about class and commerce, and how women were treated as property in 18th century society; good for joining bloodlines when fortunes are endangered, but not for much else. Belle is required to hold her tongue, though all of this certainly complicates her situation.


MIRANDA RICHARDSON: (as Lady Ashford) Does she still have a tongue?

GUGU MBATHA-RAW: (as Belle) I have a tongue, though yours explains well enough why I may not marry your son. The greatest misfortune would be to marry into a family who would carry me as their shame.

MONDELLO: Though the basic outline of Belle's story are real, including that court case, the filmmakers have invented freely within that outlines, and most of what they've invented feels like vintage Jane Austen: dowries, deceptions, suitors only some of whom are suitable. That has the effect of making the film feel elegant but a little weightless despite the weighty matters at its center.

Still, it's smartly acted, handsome and well-crafted in a way that'll make it irresistible to many viewers - pride with a whole lot of prejudice.

I'm Bob Mondello.



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