Museum Helps Blind Art Lovers 'See' Exhibits Through Sound And Touch : Shots - Health News "Sight isn't the only pathway to understand art," says Carol Wilson of the Smithsonian American Art Museum. There, specially trained docents lead tours using sound, description — and even touch.
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Blind Art Lovers Make The Most Of Museum Visits With 'InSight' Tours

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Blind Art Lovers Make The Most Of Museum Visits With 'InSight' Tours

Blind Art Lovers Make The Most Of Museum Visits With 'InSight' Tours

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  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
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And across this country, museums are opening their doors to what might seem like an unlikely group of visitors, people who are blind or have other vision problems. Here in Washington, D.C., the Smithsonian's American Art Museum offers tours by specially trained guides, or docents. They're specially trained, and they prove that there are many ways to experience works of art. NPR's special correspondent Susan Stamberg took a tour.


SUSAN STAMBERG, BYLINE: Dorlyn Catron's cane scopes out the museum.

This will be your cane's radio debut.


STAMBERG: Dorlyn says the cane's name is Pete.

You've named him?

CATRON: I have. Well, you know, he's this important to my life. He ought to have a name.

STAMBERG: Wonder if she'll go home and say she saw something beautiful at the museum today.

BETSY HENNIGAN: So if you want to just follow my voice, we'll head out into the courtyard and get on an elevator.

STAMBERG: Nine visitors and their slim, white canes ride up to a gallery. Docent Betsy Hennigan stops them in front of "Girls Skating," a small, bronze sculpture from 1907 by Abastenia St. Leger Eberle. The roller-skating girl is full of joy.

HENNIGAN: Her arms are extended, just all the way out.

UNIDENTIFIED WOMAN #1: Is her hair everywhere?

HENNIGAN: Her hair is sort of flying out behind her, so the skirt is kind of flying out...

STAMBERG: The visitors - mixed ages, races, backgrounds - stand close together, hands on top of their long canes. They face Betsy's voice, not the artwork. They're listening hard.

CAROL WILSON: Sight isn't the only pathway to understand a work of art.

STAMBERG: Carol Wilson, who trains the 12 volunteer docents, suggests they have visitors imitate the pose of a sculpture and use other senses in their verbal descriptions. Docent Phoebe Kline.

PHOEBE KLINE: For instance, there's a red in one of the paintings. And I've said it's like biting into a strawberry.

STAMBERG: Describing William Johnson's painting "Cafe," two people sitting in a jazz cafe, Betsy Hennigan talks about music.

HENNIGAN: There's no way you can see music in this piece. But I ask them to imagine hearing jazz. And then I start to even talk about - can you smell cigarettes? Can you smell the alcohol?

STAMBERG: Docent Edmund Bonder uses real music for the painting of a young woman at a piano. He describes her fingers on the upper right part of the keyboard and then, with his smartphone, plays some Debussy or Sibelius - and nobody says shush.

EDMUND BONDER: I checked with their security personnel beforehand...


BONDER: ...And let them know this is what's going to happen.

STAMBERG: Sometimes, low-vision and blind visitors can touch the art in latex-free gloves. Docent Phoebe Kline learned something herself when a sixth-grader felt the Hugo Robus sculpture "Water Carrier."

KLINE: She ran her hands down the body of this female figure. And her first remark was - oh, she's pregnant. And I had never thought about that. But in fact, the figure does look like a pregnant woman. Here was a kid really showing me something that I had been looking at for 35 years probably and had never noticed.

UNIDENTIFIED DOCENT #1: A lot of body language in art...

STAMBERG: The visitors move slowly through the museum - some seeing in their imaginations, others with low vision getting really close to a painting to use binoculars or magnifying devices. There are questions.

CHERYL YOUNG: I know that in poetry every word means something to the poet. So does the same concept hold true for an artist?

STAMBERG: Yes, says the docent. For painters, every stroke can count. Visitor Kilof Legge listens intently. He has taken lots of these tours. Since childhood, he's had macular degeneration, and he's deeply missed art.

KILOF LEGGE: For the longest time, I really felt angry when I came into a museum - and hurt and insulted almost because these are public places and I felt like I was denied access. And finally, to have these tours and open up the art world to me again, which I loved as a kid, I am just so grateful and excited.

STAMBERG: Every one of the visitors looked glad to be on this American Art Museum tour. And the docents had a good time, too.

UNIDENTIFIED DOCENT #2: I want to just add that this was a fabulous experience.


UNIDENTIFIED DOCENT #2: You guys were great.

UNIDENTIFIED WOMAN #4: Yeah, thank you.

STAMBERG: This was visitor Cheryl Young's second special museum tour. It's called America InSight. She was born sighted so has color memory and plans to join many future tours.

YOUNG: This experience for me just brought back another piece of my life that I haven't been able to explore since my vision loss.

STAMBERG: Twice a month, on Thursdays and Sundays, the Smithsonian's American Art Museum in Washington, D.C., helps blind and low-vision groups to see art in their mind's eyes.

I'm Susan Stamberg, NPR News.

[POST-BROADCAST CORRECTION: A previous Web version of this story misspelled docent Phoebe Kline's last name as Klein. ]

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