STEVE INSKEEP, HOST:
"The Hunchback Of Notre Dame" was at the top of Amazon's bestsellers list in France on Tuesday afternoon. The cathedral in the title is immortalized by Victor Hugo's 1831 novel and by later film versions of the same story. The novel was an effort to help restore the cathedral back then. So as restorations begin again after this week's fire, we've called writer and film critic Andrew Lapin.
ANDREW LAPIN, BYLINE: Good morning.
INSKEEP: What does that mean, that the novel was part of an effort to restore the cathedral?
LAPIN: So Victor Hugo writes "The Hunchback Of Notre Dame" in 1831. The cathedral, by this point, is in a state of neglect and disrepair, still recovering from the French Revolution just a few decades earlier. And he really wants to be, basically, a celebrity advocate for Gothic preservation. And he really wants this architecture to be restored for future generations. When I talked to Catherine Clark, who's a professor of French history at MIT, she told me that Victor Hugo writes this novel as an outcry to try to bring the state of Notre Dame to state attention and public attention and alert everyone that this architectural heritage is falling apart.
INSKEEP: Did it work?
LAPIN: It did work, very well. The book is enormously popular. People really thrill to the story of Quasimodo as, you know, this bell ringer who lives in the in the tower but is also a metaphor for the tower itself. The story is deeply human, and there is a major restoration effort that takes place after the book's publication.
INSKEEP: You know, I'm amazed to hear you talk about the bell tower because part of the story of the fire this week, which we've heard elsewhere on today's program, is firefighters going up into the bell towers, risking their lives for this building and, according to officials, saving the building from much worse damage, maybe heading it off within a very brief period of time. What do you think about when you bring your literary background to that story of this week?
LAPIN: What I think about is how this novel and the later adaptations that arose from it really continues to be this touchstone for so many people in terms of their relationship with Notre Dame. You know, I was asking people on Twitter to share some of their memories of the cathedral, and I was hearing from people saying, well, I remember reading this book and identifying with Quasimodo and visiting the cathedral or sitting at the Shakespeare and Company bookstore just across the Seine from the cathedral. So you see even today, it continues to be something that people really attach to and identify with. And every time people hear the bells of Notre Dame, I gather that, you know, a large number of them are probably thinking about Quasimodo.
INSKEEP: Do you think that is part of the reason that this fire seems to have touched so many hearts, even though no one was killed?
LAPIN: I think it's definitely a big part of the reason. You know, people really attach to narratives. And obviously, the cultural history of Notre Dame can't be overstated. But, like, this is a building that has been through many cycles of disrepair and rebuilding. And Victor Hugo spurred on one of those cycles nearly 200 years ago, and it looks like we're entering another cycle now.
INSKEEP: Did you think about Quasimodo when you heard the news?
LAPIN: I did. Well, I thought about a lot of things. But that was definitely one of the things that came to my mind, as I'm sure a lot of people at my age attached to the Disney version of the movie, and then you know, the subsequent stage musicals and the earlier adaptations. And I think Quasimodo and Notre Dame de Paris as a whole are intertwined in a lot of people's minds.
INSKEEP: Mr. Lapin, thanks so much.
LAPIN: Thank you, Steve.
INSKEEP: That's writer and film critic Andrew Lapin.
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