Vijay Iyer's 'Supernatant,' An Instrumental For A Heavy Year For the final entry in Morning Edition's Song Project series, Vijay Iyer wrote a rhizomatic, inviting — and not entirely placating — instrumental piece to encapsulate his past year.

Floating Along In Uncertainty With Vijay Iyer

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Remember back to last June - the rising death toll, the collapsing economy, the protests. It was a moment as dramatic as anything in recent memory, and we were looking for ways to make sense of it and to mark it. We thought music might help, so we started asking musicians to write an original song about the pandemic and then come on our show and talk about it. We called the series the MORNING EDITION Song Project.

KETCH SECOR: What I really wanted to do was to write a song that felt like "God Bless America," but I also wanted to have a little "This Land Is Your Land," too.

MARTIN: Ketch Secor of the Old Crow Medicine Show was our first guest, and he gave us kind of a thesis statement for the entire project.

SECOR: We as songwriters, we got to keep adding to the canon of songs about America because we need to update it. These are troubling times, and we need new songs about our country to inspire unity.


OLD CROW MEDICINE SHOW: (Singing) When sorrows are befallen and shadows darken her door...

MARTIN: Over the last 12 months, we interviewed 25 different artists from all over the country. Their songs captured a lot of different aspects of the pandemic. We had songs about isolation, about grief, songs about racism and inequality - and hope and resilience, songs about highly specific events like the murder conviction of a former police officer in the George Floyd case.


NUR-D: (Singing) This is only one, only one step forward.

MARTIN: There are still so many things to say about what we endured and how we've changed, but today for our final episode in the series, we're trying something different. We invited a jazz musician to write a piece without words.

VIJAY IYER: Hi. I'm Vijay Iyer. I'm a composer and pianist. I live on Munsee, Lenape, Wappinger lands on the island of Manahatta and glad to be here.


MARTIN: Iyer's 49. He's a huge star in modern music and performs all over the world - or at least he did before the pandemic. Since then, he's been holed up in his apartment in New York. Vijay knows he's lucky. It hasn't been easy, though. In fact, he put out a record this year called "Uneasy." And you hear that quality in the song that he wrote for us, too.


IYER: You know, certainly there's the many waves of anxiety and concern, not just about any one person getting sick, but about, like, the indifference to it from the most powerful people on the planet. That was infuriating to me. So I guess, like, carrying all this confusion and loss and anxiety and rage all at the same time, that does a number on your body. You know?


MARTIN: When you say it takes a toll on your body, what did that mean?

IYER: Oh, I mean, wrinkles on my face.



IYER: And - you know, and crow's feet. But then I also feel it in my neck and my shoulders. It's kind of like when you're in a car accident or something and your whole body kind of jerks into, like, a protective position, you know, for over a year.

MARTIN: So we came to you and asked if you would compose a piece for our series. And I will acknowledge the fact that it is sort of strange to ask you, a jazz composer who does not work with the spoken word, to assign words to discuss your piece. But nevertheless, that's sort of the medium that we're working in.

IYER: Actually, what it really is, is just unconscious kind of, like, things that happen beneath the surface.


IYER: And so basically, when I'm making anything, I have to just sort of let that happen, and I just try to tap into it. I try to just open up and listen to what's coming through me and just sort of let it emerge. And then I decide whether I want to work with it or not.


MARTIN: He calls the piece "Supernatant," which is a scientific word that evokes a kind of floating up above. He says every time he listens to it, he hears something a little bit different. What he heard yesterday is not what he hears today.

How did it sound to you today?

IYER: It made me smile a few times 'cause it begins in this sort of what I thought at the time was this tender and simple way. But actually hearing it today, it felt kind of, like, unstable and almost lurching. You know? It feels like, whoa, what's this? What's going on here? (Laughter).


MARTIN: Part of what's going on is an intricate musical dialogue between Vijay and a longtime collaborator, the drummer Marcus Gilmore.

IYER: He's one of the greatest (laughter) of his generation, really incredible drummer. So I hit him up kind of late in the game like, hey, if I can make this with you, then I can imagine it in a different way, which meant that it could have a certain backbone to it, a certain amount of rhythmic polyphony. And I don't know, I guess I'd call it a certain swagger. (Laughter).


IYER: I think what it finally embodies to get to - what is this song about, to what is it doing? - if the first couple minutes of it are a little bit internal or inward (laughter), what happens is that it breaks open into what feels to me like a multitude, like a sense of us, like what it feels like to be among others again.

MARTIN: We're all trying to figure out how to be in the world again. And it's liberating and exhilarating and unsettling all at once. And that's what you absorb from this piece. You have to sit with these emotions at the same time. There is no tidy resolution.

IYER: To let it ride out in that way, not with a sense of, like, OK, we're done; pandemic's over - 'cause it isn't.

MARTIN: Right.

IYER: It isn't over at all, not at all. You know, it's still raging all over the planet. Knowing that - knowing that we're still in it, but there is a sense that we can, in measured ways, gather again and explore what that means in an unresolved way. And that's the way forward, it feels, right now.


MARTIN: Vijay Iyer - his song is called Supernatant. You can find the whole song at

Vijay, thank you so much for talking with us and for making this song for us.

IYER: Thank you. Thanks for having me.


MARTIN: The MORNING EDITION Song Project was edited and produced by Vince Pearson with help from Taylor Haney.

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