MELISSA BLOCK, Host:
Our music critic Robert Christgau approves.
ROBERT CHRISTGAU: Here's a taste of how it begins:
(SOUNDBITE OF MUSIC)
CHRISTGAU: Now, the Whitefield Brothers have released a second album called "Earthology," which opens up their funk to broader use. Here's a track called "Reverse." Try to pin a genre on it. I dare you.
(SOUNDBITE OF SONG, "REVERSE")
THE WHITEFIELD BROTHERS: (Singing) (Unintelligible) will be the next passenger, the flow like a (unintelligible) in Africa. Quit letting (unintelligible), talk when you (unintelligible) matching up. My role model was a nun. I drink from the bottom and mash in the plastic cup. Six thousand watts from the trunk, speakers take heat (unintelligible) like big bumps. Duck when the...
CHRISTGAU: On the song "Taisho," most of the flavor is provided by the national instrument of Japan, a koto played by Masaru Nishimoto.
(SOUNDBITE OF SONG, "TAISHO")
CHRISTGAU: My favorite cut on "Earthology" is "Breakin' Through," written by jazz pianist Mal Waldron. It's jazzy, yeah, but it also has a Middle Eastern feel I can't quite put my finger on. And I enjoy it even more as a result.
(SOUNDBITE OF SONG, "BREAKIN' THROUGH")
BLOCK: Our reviewer, Robert Christgau, writes the consumer guide to CDs at msn.com.
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