Brad Mehldau: (Unlikely) Songs By Other People The jazz trio returns to covering classic rock, folk and pop tunes on its latest album, Where Do You Start. Fresh Air critic Kevin Whitehead reviews the band's take on Elvis Costello, Nick Drake, Sonny Rollins and more.


Music Reviews

Brad Mehldau: (Unlikely) Songs By Other People

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Jazz critic Kevin Whitehead says there's nothing special anymore about jazz musicians playing post-Beatles pop. It's just the new normal. One of the trendsetters on that score was pianist Brad Mehldau playing Radiohead and Nick Drake tunes. Mehldau's trio has a new covers album, and Kevin has this review.


KEVIN WHITEHEAD, BYLINE: Brad Mehldau, bringing out all the melancholy in Elvis Costello's "Baby Plays Around." It's on Mehldau's new trio CD of songs by other people, "Where Do You Start," recorded at the sessions for last spring's all-originals album "Ode." Good as that one was, I like the new one a little more - most of it, anyway - not least for the unlikely selections.

His take on of "Got Me Wrong" by Alice in Chains owes something to the young Keith Jarrett's piano grooving. But Mehldau's imitating anybody. His trio - with bassist Larry Grenadier and drummer Jeff Ballard - has its own distinct profile.


WHITEHEAD: There's something a bit odd about how the chords leap around in Alice in Chains' "Got Me Wrong." The rock, folk and pop tunes Mehldau picks all have some musical facets improvisers can dig into. The trio aren't slumming.

Mehldau loves Nick Drake's whispered melodies, like "Time Has Told Me," which starts on a simple, two-chord vamp before wandering out of key. Even "Hey Joe," one of the first tunes '60s kids learned on guitar, traces a jazzy, circle-of-fifths chord progression. At the climax, bass and Mehldau's left hand shout out to the Jimi Hendrix version.


WHITEHEAD: Brad Mehldau's new "Where Do You Start" also includes that Barbara Streisand weeper, and songs from Cuba and Brazil. The one jam-session standard, Sonny Rollins' "Airegin," brings out some of Mehldau's fastest and hippest playing - his, and the rhythm section's.

The pianist builds his improvisation like a master storyteller. He keeps you hanging in to see how the next twist resolves, and brings you back just when you think he's lost you. His left hand supplies just enough atmosphere to color the tale.


WHITEHEAD: Brad Mehldau is a hell of a piano player, but he doesn't always grab me. That Elvis Costello tune goes into a long, out-of-tempo solo section that dilutes its effect. He'll coast once in a while, as if just playing hip tunes is enough. Sufjan Stevens' "Holland" takes forever to get going, and then doesn't go very far.

Sometimes, it's as if Mehldau is playing for folks who stop off for a quick one on the way home from the office. But then he'll play something so richly inventive, those folks will wind up missing their train home, and the one after that.


DAVIES: Kevin Whitehead writes for Point of Departure, Downbeat and Emusic, and is the author of "Why Jazz?" He reviewed "Where Do You Start," the new album by the Brad Mehldau trio on the Nonesuch label. You can download podcasts of our show at, and you can follow us on Twitter @nprfreshair and on Tumblr at

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