STEVE INSKEEP, HOST:
In recent weeks, we've heard searing tales of the human cost of the civil war in Syria. Our colleague Deborah Amos told us of a school where Syrian children painted red - if they drew people, the people were inevitably shown bleeding.
RENEE MONTAGNE, HOST:
The civil war also endangers vital cultural artifacts. Syria is home to many ancient cities and ruins, six of which are designated as U.N. World Heritage Sites.
INSKEEP: And last week, U.S. State Department spokesperson Victoria Nuland urged Syrians to protect those sites.
VICTORIA NULAND: They also need to do what they can, to protect the patrimony of the state, to protect the institutions of the state so that when Assad eventually goes - as he will - the Syrian people have lost as little as possible; and that the great history and culture of the country has not been stripped from them.
INSKEEP: Now, Aleppo, Syria's largest city, is one of the historic places that has been experienced significant damage. It's one of the world's oldest continually inhabited urban areas.
MONTAGNE: At a museum in Washington, D.C., NPR special correspondent Susan Stamberg found moving evidence of an earlier, more peaceful time in Aleppo.
SUSAN STAMBERG, BYLINE: The headlines from Aleppo have been horrifying.
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ANTHONY KUHN, BYLINE: After days of massing troops and weapons, the government assaulted rebel-held neighbors with tanks, helicopters...
SCOTT SIMON, HOST:
Twin explosions ripped through the city of Aleppo...
KELLY MCEVERS, BYLINE: The covered markets of Aleppo that date back to the 14th century were in flames...
STAMBERG: Images of a more tranquil Aleppo appear on the pages of an old book, at the Textile Museum in Washington. Photographs of 19th century women in gold-trimmed velvet jackets, flowing pants and on their heads, finely woven skull caps. One such small and brimless cap, made in 1800, is on display at the museum.
SUMRU KRODY: Its all silk, and metallic threads.
STAMBERG: Curator Sumru Krody says the floral pattern - tulips, mostly - is typical of Ottoman Empire design. The cap's flowers are framed in deep reds, rich browns...
KRODY: And a very little hint of pink.
STAMBERG: A woman of means might have worn it; the silvery threads were costly. In 1800, she lived in a lively town at the end of the legendary Silk Road, a bustling trade route from China to Europe - and beyond. Her markets in Aleppo offered exotic wares from all over the world. Carefully chaperoned, the woman in the woven cap could have bought just about anything.
HEGHNAR WATENPAUGH: If you were tired of shopping, you might stroll down the beautiful, new, wide streets and relax in a cafe and consume coffee, which was a beverage that was gaining a lot of popularity around the world, at the time, and Aleppo was a center for the trade of coffee. You'd be able to hear, maybe, some music performed there, or a professional storyteller.
STAMBERG: Heghnar Watenpaugh is professor of art history at the University of California, Davis.
WATENPAUGH: I usually compare Aleppo to Chicago. It is connected to various transportation pathways, both by sea and by land. It's a center of manufacture. It's also a center of trade. It's a center of business. It attracts all kinds of people.
STAMBERG: In 1800, when the tapestry cap was made - it has a long, silken tassel that shimmered in the sun - Aleppo was a major textile center, dotted with workshops where silk was woven and crafted. Today's Aleppo is still a city of traders But NPR's Kelly McEvers, back from a recent reporting trip, says punishing government attacks on rebels there have bombed and shelled parts of town into oblivion.
MCEVERS: You see entire buildings just crumpled to the ground; entire floors, you know, shorn off the top of a tall apartment building - or just the face of a building, just completely blown off. I mean, there are neighborhoods that are just absolute wastelands; you know, water mains blown and leaking under the street, piles and piles of rubble and garbage, not a single civilian in sight, men with guns just roaming the streets - you know, they basically - like, they own the place.
STAMBERG: Aleppo came late into the nearly 2-year-old Syrian conflict. Six months ago, rebels tried to carry their revolution there. But Kelly says Aleppo's middle-class merchants were reluctant to take sides. And the rebels had not paved a path for themselves in advance.
MCEVERS: They didn't really prepare anyone for this. They didn't prepare the political ground in the city. They didn't have the hearts and minds of the people. So when they came in, they were not met with open arms.
STAMBERG: And so today, Aleppo is a divided city, half controlled by rebels, half by the government. The rebels are taking their fight to airbases on the outskirts now, trying to stop attacks from the sky.
And yet, this ancient city, its history goes back to the Bronze Age, has a resilience crafted by the centuries.
WATENPAUGH: Yes. But, of course, Aleppo, it did not become the oldest inhabited city in the world by always staying the same.
STAMBERG: Again, Islamic Art historian Heghnar Watenpaugh.
WATENPAUGH: Like all vibrant cities, it is constantly in the process of reinventing itself. And war, civil war, is one of the ways in which a city - perhaps negatively, perhaps violently - reinvents itself.
The Aleppo that's going to emerge is certainly going to be very different from what was there before. We don't know what it will be. But we have to hope that it will continue to be the genius of the place the continues to reinvent itself, and find new ways of expressing its energy will continue to be there.
STAMBERG: NPR's Kelly McEvers saw signs of that on certain Aleppo streets recently. People trying to get back to normal.
MCEVERS: This is a city of merchants; a city of people who, for a really long time, have figured out how to get by. And in some places we saw that. They're doing that now.
STAMBERG: Those workshops where the tapestry cap with the tassel was produced 200 years ago, those bazaars and coffee shops where the woman who wore that cap did her shopping and stopped for coffee or a story on a busy day, gave 19th century Aleppo a fragrant texture and beauty. A single object of silk and silver speaks of what once was and might, someday, be again.
I'm Susan Stamberg. NPR News.
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INSKEEP: You can see the Aleppo cap and other photographs from the Textile Museum at NPR.org.
It's MORNING EDITION from NPR News. I'm Steve Inskeep..
And I'm Renee Montagne.
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