DAVID GREENE, HOST:
Today marks eight years since Hurricane Katrina devastated the Gulf Coast. The storm and flooding killed more than 1,400 people in Louisiana, mostly around New Orleans, and it left an indelible mark on dozens of communities. Now, while much has been rebuilt, New Orleans' Lower Ninth Ward has seen a more fitful recovery.
On this anniversary, NPR's Debbie Elliott revisits the neighborhood with local activist Ronald Lewis.
DEBBIE ELLIOTT, BYLINE: MORNING EDITION host Steve Inskeep regularly checked in with Ronald Lewis in the months after Katrina.
STEVE INSKEEP, HOST:
Lewis lived in the Ninth Ward, until it was devastated by floods. He agreed to drive there with us, as the Army pumped out the last of the water and helicopters rumbled overhead.
RONALD LEWIS: It's unbelievable. A part of your community just completely washed away.
INSKEEP: We will have to zigzag to go around this house...
INSKEEP: ...that is now in the middle of the street.
You'll no longer find houses in the middle of the street in the Lower Ninth Ward. But the recovery is as bumpy as the potholes in the streets. For every block populated with new, elevated homes, there are other blocks overgrown with shoulder-high weeds, and the boarded up remains of once flooded houses.
Ronald Lewis' block on Tupelo Street is back, and I find him in a tin-roofed shed in the backyard.
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LEWIS: Come in.
ELLIOTT: Hey, Mr. Lewis.
LEWIS: Are you the lady from NPR?
LEWIS: OK. Come right in.
ELLIOTT: I've just entered the House of Dance and Feathers, a magical room stuffed with memorabilia.
LEWIS: This is my post-Katrina collection 'cause my pre-Katrina collection went with the 14-feet of water.
ELLIOTT: There are photographs and regalia from the city's social aid and pleasure clubs - including elaborate beaded and feathered Mardi Gras Indian costumes that hang from the ceiling.
Mardi Gras Indians are the African-American parading organizations that date back to the late 1800s and pay homage to the Native Americans who helped hide runaway slaves.
LEWIS: This collection shows the resilience of the people because we had lost everything, but we didn't lose hope. And so every piece in here is symbolic of that. Of people wanting to share in the story of us rising out of the ruins of Katrina and saying we're here, we're back.
ELLIOTT: Lewis, a retired street car line repairman, is president and co-founder of the Original Big Nine Social Aid and Pleasure Club. The group parades in December and spends the rest of the year doing service projects.
In the immediate aftermath of Hurricane Katrina, those ties became the connecting fiber for the displaced neighborhood. Frustrated with the pace of progress, Lewis turned community advocate.
LEWIS: It was just distasteful of being called refuge on American soil. The poor, poor people of the Lower Ninth Ward, we weren't even given credit for being the working-class people. So I took sort of offense to that.
ELLIOTT: In the back corner of the House of Dance and Feathers, Lewis has a Katrina display.
LEWIS: From the type of food that gave us and the things that became a part of our life, you know. And I didn't want those things to be forgotten.
ELLIOTT: There are small crates of canned beef stew and bottled water, and a red voodoo doll named Katrina with a pin through her heart. Four large scrapbooks document the story. Eight years later, Lewis says it's a story still in progress - one of rebuilding one house and one family at a time. He calls his neighbors modern pioneers.
LEWIS: Katrina created a vast wasteland down here in the Lower Ninth. And out of that I always tell this story about how our settlers used to ride across the mountains and see a single house and a smokestack. And when that single house and smokestack became a town, and when that town became a city.
ELLIOTT: Lewis hopes the House of Dance and Feathers behind his rebuilt home can be the smokestack for New Orleans, celebrating what makes the city unique. Lewis says he's not a museum curator, just a New Orleanian and two-time hurricane survivor committed to keeping his culture alive.
Debbie Elliott, NPR News, New Orleans.
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