The Dismemberment Plan Returns, To Its Own Surprise A decade after breaking up, the renowned Washington, D.C. indie rockers have a new generation of fans — and a new album at the ready.
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The Dismemberment Plan Returns, To Its Own Surprise

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The Dismemberment Plan Returns, To Its Own Surprise

The Dismemberment Plan Returns, To Its Own Surprise

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Between 1993 and 2003, The Dismemberment Plan released four albums. The indie rock band never had a single hit song on the radio, but they developed a cult following on the Internet after they broke up years ago. The band spent much of that time apart pursuing other careers. Reunited, The Dismemberment plan is putting out its first album in over a decade, it's called "Uncanney Valley."

NPR's Lindsay Totty has more.

LINDSAY TOTTY, BYLINE: The new album from The Dismemberment Plan has the kind of distinct melodies and witty lyrics that music critics and fans fell in love with in the '90s.


TOTTY: Lead singer Travis Morrison wrote the lyrics for this song, called "Invisible," about leaving Washington, D.C. where the band was formed, and moving to the much bigger city of New York, a few years after the band broke up.

TRAVIS MORRISON: I really liked having this fresh start, knowing a few people but not too many. But yes, still, it's invisible. It's like I'm slipping through the shadows for now.


TOTTY: When he arrived in New York, Morrison was just a low profile computer programmer. But long before The Dismemberment Plan split up, his band had developed a reputation in the D.C. metro area. In the '90s, the D.C. rock scene was known more for hardcore punk.

Bassist Eric Axelson says The D Plan, as they're sometimes called, didn't really fit that image.

ERIC AXELSON: I remember a show in Baltimore, where I think one of us had a Grateful Dead T-shirt on and one of us had a Fishbone shirt on. And Travis came from work in khakis and a button down.

MORRISON: I feel like we could have been bigger pariahs than we were.


AXELSON: We didn't try hard enough.

MORRISON: We were not as pariah-ish as we deserved.

TOTTY: The nation's capital was a more dangerous place back then and Morrison lived in one of the city's rougher neighborhoods. One night, he was mugged at a pay phone near his home.

MORRISON: Luckily I was broke, so I didn't really have any money.


TOTTY: There wasn't much that Morrison could do except write a song about it.


TOTTY: This song is called "Thirteenth and Euclid." It's from the band's first album. And it's named for the street corner where that mugging happened. Morrison recalls that incident with his band mates.

MORRISON: They took my checkbook. And then for a year, I had this problem with my checks being used to buy huge amounts of pizza from Domino's Pizzas across Washington, D.C.


JOE EASLEY: They got groceries, too, right?

AXELSON: So they were stoners

MORRISON: No, that was another mugging.

TOTTY: That was no help to the struggling young musicians. But their sound did turn heads in the music industry. After releasing a second album, they were signed to a major label and got to work on a third. But the label dropped them after a merger. The Dismemberment Plan returned to their old indie label and brought with them the finished record, "Emergency and I." It came out in 1999. It was the first record to be named Album of the Year by the popular music web site Pitchfork Media. And it included this fan favorite, it's called "The City."


TOTTY: The Dismemberment Plan put out one more album. But as Travis Morrison explains, the band was getting exhausted with life on the road.

MORRISON: Yeah, and we were all turning 30. We were touring to stay alive. It wasn't apparent that there was any way out from that. So where was the inspiration going to come from?

TOTTY: One of their new songs, called "White Collar White Trash," sheds light on the fatigue that led to their breakup.


TOTTY: The members of the band began to focus on other careers. Travis Morrison has worked as a computer programmer for The Washington Post and The Huffington Post. Guitarist Jason Caddell has produced albums for other artists, and has worked as an audio engineer for political campaigns as well as last year's G8 Summit. Bassist Eric Axelson became an A.P. English teacher and later worked for the nonprofit Rock The Vote. And drummer Joe Easley went back to school and got a degree in aerospace engineering. He now works at the NASA Goddard Space Flight Center as a robotics engineer.

EASLEY: When we started actually getting tools that we have currently like on the International Space Station, I was able to test those tools at Goddard and participate in the actual flight operations for that stuff.

TOTTY: Everyone in The Dismemberment Plan had moved on professionally. And it might have stayed that way, Jason Caddell says if not for one thing.

JASON CADDELL: At the risk of being glib, the Internet.

TOTTY: Reviews from music web sites like Pitchfork Media brought a new generation of fans to The D Plan.

CADDELL: Pitchfork and others planted the reputation of the band as a flag on the mountain that is the Internet. And that flag stayed there, even after we broke up.

TOTTY: Some of those new fans were downloading their music, sometimes illegally. Record labels took notice again. One wanted to re release "Emergency and I" on vinyl and asked the band to go on a reunion tour. They agreed. And when they took the stage in 2011, they were astonished at the turnout. Caddell says that re-energized them.

CADDELL: We have a bond that is singular. The product of that bond has so captured people's attention and emotion that it has brought us back together.


TOTTY: And reignited the band's creativity. In this new song, "Mexico City Christmas," Morrison's lyrics express envy - the kind you feel when you're getting older and noticing your peers are becoming more successful than you.


MORRISON: You know, when you're involved in the arts, it's a pretty cold moment in your early 30's. You're like: Am I doing this forever? The thing about those lines is when it talks about how the people in the house have, like, guitars up on the wall, so clearly this person used to play in bands.


MORRISON: And now they're doing real good and someone is still playing in bands, and taking care of that person's house.


MORRISON: Oh, boy.

TOTTY: If The Dismemberment Plan can create yet another generation of fans, playing in a band might still pay off.

Lindsay Totty, NPR News, Washington.


GREENE: Lindsay Totty, a man of all trades. He did that story and he's directing the program this morning. I'm looking at him through a window.

The Dismemberment Plan's new album comes out tomorrow. You can hear it at today. It's part of our First Listen series.

It's MORNING EDITION from NPR News. I'm David Greene.


I'm Steve Inskeep.


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