Movie Review - 'Kill Your Darlings' - Literally And Figuratively The film follows Beat Generation notables — Allen Ginsberg, William Burroughs, Jack Kerouac and Lucien Carr — as college students in the 1940s. NPR's Bob Mondello says it may succeed where other movies about the poets have failed. (Recommended)


Movie Reviews

Beat Manifesto: 'Kill Your Darlings,' Figuratively And ...

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Hollywood's been trying to get a handle on the Beat poets for years. Allen Ginsberg, William Burroughs and Jack Kerouac led wild and influential lives. But films about the Beats, like "Naked Lunch" or "On the Road," never really clicked with audiences.

Our film critic Bob Mondello says a new picture called "Kill Your Darlings" may fare better, partly because it stars Daniel Radcliffe, and partly because the story centers as much on murder as on poetry.

BOB MONDELLO, BYLINE: 1943, student orientation at Columbia University, incoming freshman Allen Ginsberg is on a quiet, dignified tour of the campus library when a student with a face of a choirboy leaps on a table with a book, Henry Miller's "Tropic of Cancer."


MONDELLO: And we can't give you the last word on the radio. Suffice it to say, the word was even more shocking in the 1940s and that Ginsberg grins broadly, as played by Daniel Radcliffe with not a hint of Harry Potter about him. Truth be told, young Ginsberg is kind of smitten, both by the handsome Lucien Carr and by his literary passion. He is soon hanging out with Carr in the dorm, talking poetry.


MONDELLO: Carr, who's played by Dane DeHaan as a young man entirely aware of the effect he has on others, soon introduces Ginsberg to a stoned young Willie Burroughs.


MONDELLO: A nice piece of impersonation by actor Ben Foster. Later, Jack Kerouac joins their band of troublemakers, all of them dreaming of changing the world, but not sure quite how to go about it. And because they're college kids, their literary ambitions often take a backseat to drugs, drinking and pranks, including one at the library that gets them into all kinds of trouble. Bigger trouble, though, is following Carr in the person of an obsessive admirer.


MONDELLO: How he deals with that situation gives the story its spine and also a startling climax. First-time director John Krokidas doesn't make "Kill Your Darlings" terribly linear. When its heroes go on drug-fueled binges, so does his camera, at one point freezing other characters in place at a jazz club so that the amphetamine-buzzed poets can flit around them.


MONDELLO: In writing circles, the phrase kill your darlings is generally uttered by an editor as advice for a writer who's polished and labored over a favorite sentence so long that all the life has gotten squeezed out of it. Kill your darling means get rid of that treasured bit and find a more natural way to say what you want to say.

The movie "Kill Your Darlings" is about budding artists who applied that advice to every element of their lives, abolishing rhyme and meter, declaring war on rules, traditions, even people who had the temerity to love them. They flail and they thrash, and Krokidas' film is just like them, as jazz-inflected and freewheeling as the beat poetry these guys were about to unleash on the world. I'm Bob Mondello.

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