Jamaica's Hottest New-School Reggae Artists Return To Roots A new generation wants to dominate Jamaica's music scene with a fresh take on an old-school sound. NPR's Baz Dreisinger looks further into the musical resurgence and the artists leading the charge.
NPR logo

Jamaica's Hottest New-School Reggae Artists Return To Roots

  • Download
  • <iframe src="https://www.npr.org/player/embed/256116848/258048891" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript
Jamaica's Hottest New-School Reggae Artists Return To Roots


In Jamaica, there's a revival going on: a return to roots as in roots reggae. A younger generation of musicians in the birthplace of reggae music has come to dominate the scene with a fresh take on an old-school sound.

Baz Dreisinger has more.

UNIDENTIFIED MAN: All of the foreign ladies, make some noise...

BAZ DREISINGER, BYLINE: Live bands, soulful music, substantive lyrics. I could be describing the Jamaican music scene circa 1976, the heyday of Bob Marley. But I'm talking about a sound that dominated at this year's Reggae Sumfest, Jamaica's biggest annual music festival.


DREISINGER: That's 20-year-old Jamaican artist Chronixx, performing before some 10,000 fans. He's Jamaica's most buzzed-about artist right now and he's leading the way in a rich musical movement; new-school roots a bit of Rasta-meets-hipster.


DREISINGER: Chronixx says it's a repackaging of what came before.

: We are not going to do it like Bob Marley did, like Burning Spears did, you know? We are using their blueprint to bring on a new generation of works.


DREISINGER: It's a sound that's been in his ears since he was a kid. His father was a successful musician who went by the name Chronicle. Chronixx began writing songs at age 6 and started producing as a teenager. He says he went to reggae school, which he compares to the rigorous demands of medical school.

: It's like before you go out there and do a surgery on a human being, you have to learn, you know, medicine, you have to learn biology, you have to learn chemistry - all of these things you need to be a doctor. And in reality, artists don't do much different from doctors - heal people. I mean so I have to learn your craft good. It's a science, you have to learn it. You know, you have to learn the history.

DREISINGER: Know Thy History is definitely an unspoken commandment of the new roots movement. But before you say retro, listen to some of Chronixx's club-friendly dancehall music.


DREISINGER: So it's not about creating a musical carbon copy of the past, though the fashion sense of these artists definitely screams 1970s. Take new roots artist Protoje. He describes the style of his 2013 sophomore album, "The 8 Year Affair," as a blend of traditional roots reggae, modern-day rock music and hip-hop.

PROTOJE: The first song I ever knew word for word was: Once upon a time not long ago when people wore pajamas and lived life slow, when the laws were stern and justice stood. You know, Slick Rick, "Children's Story." When I heard Slick Rick and, you know, it's not that type of flow, I was like, oh, it's so cool. I didn't hear stuff like that so I kind of started to pattern my style.


DREISINGER: Protoje wrote that song about the so-called Tivoli massacre of 2010, when 76 civilians were killed by Jamaican police and military forces, scouring Kingston for alleged drug lord Christopher Coke.

PROTOJE: I sat on the top of skyline and watched the city burn that day. So I wrote about it to say, you know, be wise in these times and understand there's a lot of geopolitics at play and a lot of stuff going on.

DREISINGER: And that suggests another commandment of the current movement - write Your Own Songs and Have Something to Say. Kumar Bent, lead singer of the band Raging Fyah, says that's what the new-roots scene is about.

KUMAR BENT: This movement now that's happening, revival that's happening, it's a revival of consciousness because it's not about singing about a girl's skirt anymore or certain things. It's about upliftment of the mind.


DREISINGER: Two more tacit rules of the scene: first, don't beef, collaborate. Artists like Chronixx, Protoje and Raging Fyah are a kind of collective, performing and recording together all the time. And last but not least: go live. Chronixx plays keyboards, drums and guitar. Raging Fyah delivers the ultimate live show. Protoje, who only records live in the studio, says this return to bands makes Jamaican acts on par with American reggae bands like SOJA and The Green, who've come to rival the island's musicians in popularity.

PROTOJE: We're ready to go out there and play reggae music alongside these bands and show that the authentic sound is still Jamaican. Reggae music was born and bred here and we're ready to show that, you know, we're here to continue on that tradition.

DREISINGER: A tradition that, however many times remixed and repackaged, never seems to get old.

For NPR News, I'm Baz Dreisinger.


LUDDEN: This is WEEKEND EDITION from NPR News. Rachel Martin returns next week. I'm Jennifer Ludden.

Copyright © 2013 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.