Inside The Wild (And Hand-Drawn) World Of Bill Plympton Indie animation king Bill Plympton's latest feature, Cheatin', tells the loopy love story of Jake and Ella, and how their perfect romance fractured. Reporter Jon Kalish visited Plympton in his studio.

Inside The Wild (And Hand-Drawn) World Of Bill Plympton

  • Download
  • <iframe src="https://www.npr.org/player/embed/398766702/398948834" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

TAMARA KEITH, HOST:

Bill Plympton has come to be known as the king of indie animation. His tenth full-length feature is opening in theaters across the country. It's called "Cheatin'" and it deals with infidelity. Like many of Plympton's other animated films, it has no dialogue. Jon Kalish talked to the artist in his studio.

JON KALISH, BYLINE: Bill Plympton says he learned how to tell a story with pictures doing comics for men's magazines and alternative weeklies in the 1970s and '80s. He became recognizable for his over-the-top caricatures and slightly raunchy worldview. Plympton's first foray into animation was a short film titled "Boomtown," a 1985 takedown of military spending written by Jules Feiffer and voiced by two actresses known as the Android Sisters.

(SOUNDBITE OF FILM, "BOOMTOWN")

ANDROID SISTERS: Jobs. The United States requires strong defense arm...

ANDROID SISTER #1: ...Because it creates...

ANDROID SISTERS: ...Jobs.

ANDROID SISTER #2: We need jobs.

ANDROID SISTER #1: I need a job.

ANDROID SISTER #2: Me too.

KALISH: Over the years, Plympton's done a slew of commercials, music videos for Madonna and Weird Al Yankovic and interstitials for MTV. He makes two or three animated shorts a year, and every few years he manages to finish a feature film. It's a lot of work. As with all of his films, each panel in his latest, "Cheatin'," was drawn by hand.

BILL PLYMPTON: I think there's 40,000 drawings in the film. So I had to do about 100 drawings a day to do all the animation in about a year. I get into it. I listed to country western music and I'm drawing away and I'm in heaven. I mean, it's just such a pleasant experience to make these films that I can't stop myself.

KALISH: On screen Plympton's images seem to pulsate, thanks to a technique he's developed over the years.

PLYMPTON: There is a drawing for every frame of film, but there - sometimes they're the same drawing, and I alternate them back and forth, and it gives it a kind of shimmering effect that makes it feel alive. It's like it has a pulse, you know. And it's sort of been my trademark.

(SOUNDBITE OF "CHEATIN'" SCORE)

KALISH: "Cheatin'" tells the story of Ella and Jake, whose romance is marred by another woman who has designs on Jake and drives a wedge between them. The story includes a magician, a hit man and a soul transfer machine.

Nicole Renaud composed the score. Her favorite scene shows Ella falling in love.

NICOLE RENAUD: She's sitting on a bench, she's reading a book. And then she sees people in love passing by, and they all have some heart shapes. And then a little angel comes with a little heart in his hand and gives it to Ella.

(SOUNDBITE OF "CHEATIN'" SCORE)

FLASH ROSENBERG: I mean, there's moments like that that are just sheer visual brilliance.

KALISH: Flash Rosenberg is another animator who's a big fan of Plympton's.

ROSENBERG: He shows us scenes from so many angles. You see it like a graphic novel in liquid, so that you get an aerial view and a side view and an extreme view, which is all a lot more drawing than might be necessary to convey what happens.

KALISH: That meticulous approach has led "Simpsons" creator Matt Groening to call Bill Plympton God. But Plympton has never managed to land a major distributor for any of his films. He sells the hand-drawn frames from them to help keep his small studio afloat and pay the other artists who color in his drawings. The emergence of crowd-funding has made things a bit easier. He raised $100,000 on Kickstarter to complete "Cheatin'" when he ran out of money.

PLYMPTON: Why waste my time trying to do a dog and pony show with these clueless Hollywood executives when I can go to my fans? They will have the money to finish my film. Plus, I still get to own the copyright of the film and my fans don't tell me I have to kill a character off or whatever. You know, I just have total freedom to make the film the way I want to make it.

KALISH: Bill Plympton is already finishing two more animated films. For NPR news, I'm Jon Kalish in New York.

Copyright © 2015 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.