You Might Not Know Kenny Ortega, But You Probably Know His Choreography Ortega is one of the most sought after choreographers in showbiz. He has worked with everyone from Michael Jackson to Zac Efron and is responsible for some of Hollywood's most memorable dance scenes.
NPR logo

You Might Not Know Kenny Ortega, But You Probably Know His Choreography

  • Download
  • <iframe src="https://www.npr.org/player/embed/425105595/425512014" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript
You Might Not Know Kenny Ortega, But You Probably Know His Choreography

You Might Not Know Kenny Ortega, But You Probably Know His Choreography

  • Download
  • <iframe src="https://www.npr.org/player/embed/425105595/425512014" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

STEVE INSKEEP, HOST:

Next, we'll profile an influential song and dance man. Even if you've never heard of him, you have likely seen the results of his work because choreographer Kenny Ortega has worked closely with the likes of Bette Midler, Patrick Swayze and Michael Jackson. Next week, Disney Channel premieres his new movie, "Descendants." It stars a number of young new actors as well as veterans. Here's NPR's Elizabeth Blair.

ELIZABETH BLAIR, BYLINE: Where do you begin to tell the story of Kenny Ortega? You could start with Michael Jackson.

(SOUNDBITE OF SONG, "WANNA BE STARTIN' SOMETHIN'")

MICHAEL JACKSON: (Singing) If you can't feed your baby, don't have a baby.

BLAIR: Ortega designed big concerts for Jackson, auditioning dancers, overseeing the crew. He was working on Jackson's final tour before the singer died. Here's Ortega in a video about the making of that tour.

(SOUNDBITE OF VIDEO)

KENNY ORTEGA: The dancers in a Michael Jackson show are an extension of Michael Jackson.

BLAIR: Kenny Ortega choreographed the smash hit "Dirty Dancing."

(SOUNDBITE OF SONG, "I'VE HAD THE TIME OF MY LIFE")

BILL MEDLEY AND JENNIFER WARNES: (Singing) Because I had the time of my life.

BLAIR: And directed all three of Disney's "High School Musical" films.

(SOUNDBITE OF SONG, "WE'RE ALL IN THIS TOGETHER")

HIGH SCHOOL MUSICAL CAST: (Singing) We're all in this together, once we know that we are, we're all stars and we see that.

BLAIR: But really, Kenny Ortega's story begins in his childhood living room in California watching Gene Kelly movies.

(SOUNDBITE OF FILM, "SINGIN' IN THE RAIN")

GENE KELLY: (Singing) I'm singing in the rain, just singing in the rain.

BLAIR: Mesmerized by his dancing, Ortega tried learning his steps.

ORTEGA: He would do chasse, crossover, chasse, crossover. He would do these pull backs. And the way that he would say, atta, atta, atta, atta, aticka-ta-ticka-ticka-tatta (ph). (Laughter).

(SOUNDBITE OF FILM, "SINGIN' IN THE RAIN")

KELLY: (Tap dancing).

BLAIR: Years later, Kenny Ortega not only met his idol; he got to direct him in the 1980 movie "Xanadu."

(SOUNDBITE OF SONG, "XANADU")

OLIVIA NEWTON-JOHN: (Singing) Xanadu.

BLAIR: It flopped, trashed by the critics. But you'd never know it to hear Ortega talk about it. Before Gene Kelly signed on, he wanted to meet the choreographer.

ORTEGA: I have to tell you, in that meeting he said, you know, if I were to dance - and I'm not saying that I'm going to dance - but if I were going to dance, what would you have me do? And so I just said, well, why don't we just start with some of the steps that you've already done, which to me are, you know, classic and timeless. And I got up and started doing some of his moves. And he said, oh, that's the old Nora Bayes, and no, that's not right; it's this way. And suddenly, we were dancing.

BLAIR: Ortega may have directed Kelly in those dance numbers in "Xanadu," but it was Ortega who got an education.

ORTEGA: He mentored me. And when the movie was over, he continued to. And he would invite me to his home. And we would look at his films together. And he would talk to me about, you know, how he designed choreography for camera, which was the greatest education that I had received up until that point.

BLAIR: Gene Kelly inspired Ortega to experiment with choreography, to play with space and levels and water.

(SOUNDBITE OF FILM, "DIRTY DANCING")

PATRICK SWAYZE: (As Johnny Castle) Bend your knees. And go.

(WATER SPLASHING)

SWAYZE: (As Johnny Castle) Good.

BLAIR: "Dirty Dancing" fans will remember the scene in the lake, when Patrick Swayze is teaching Jennifer Grey the lift.

(SOUNDBITE OF FILM, "DIRTY DANCING")

SWAYZE: (As Johnny Castle) Good, don't break. Don't break.

JENNIFER GREY: (As Frances Houseman, screaming).

BLAIR: Here's a little movie trivia for you. That lake was frigid. Ortega says Jennifer Grey got hypothermia and had to go to the hospital.

ORTEGA: You'd never know it from the glee and the smile on her face. But in fact, it was, you know, not an easy scene to shoot.

BLAIR: Eleanor Bergstein wrote and co-produced "Dirty Dancing."

ELEANOR BERGSTEIN: And Kenny got in there with them. He was great.

BLAIR: He got in the water?

BERGSTEIN: He got in the water with them. He was terrific.

BLAIR: The movie is based on Bergstein's own experiences dancing with her friends in basements in Brooklyn, just like you see in the movie.

(SOUNDBITE OF SONG, "DO YOU LOVE ME")

THE CONTOURS: (Singing) I can mash-potato...

BLAIR: Turns out Ortega had danced some of those same sexually evocative steps himself all the way in California.

ORTEGA: Street salsa, Colombian-style salsa, Cuban rhythm step, R&B and street soul, we were drawing from a number of different places to ultimately arrive at what "Dirty Dancing" became.

(SOUNDBITE OF SONG, "DO YOU LOVE ME")

THE CONTOURS: (Singing) Watch me now. Work, work...

BLAIR: "Dirty Dancing" was made on a shoestring. It was cold and rainy on location. Eleanor Bergstein says none of the studio executives really believed in the movie. But she says Ortega was always upbeat with the cast and took every aspect of the filming seriously.

BERGSTEIN: And he went over everything with me. You know, did Baby dance on her father's feet when she was a little girl? We went over it - all the basic subtext of how I wanted everybody to move in it 'cause he wanted to know everything.

BLAIR: Kenny Ortega is the ultimate musical theater guy. He was in a professional stage production of "Oliver" when he was a teenager. He starred in a touring production of "Hair." So it was a no-brainer when he was offered the opportunity to direct a story about the making of a high school musical.

(SOUNDBITE OF SONG, "WHAT TIME IS IT?")

HIGH SCHOOL MUSICAL CAST: (Singing) What time is it? Summer time. It's our vacation. What time is it? Party time. That's right, say it loud.

BLAIR: For a certain demographic, "High School Musical" is Disney's most popular property. Teenagers around the globe saw it, bought the soundtracks, the T-shirts and more. The trilogy launched the careers of Vanessa Hudgens, Ashley Tisdale and Zac Efron.

ZAC EFRON: Kenny's the kind of mentor and sort of friend that never shows any limits. He never lets you know your limits.

BLAIR: They were also teenagers who were pretty green. Efron says meeting Ortega was a gift.

EFRON: What he did is just sort of with his aura and with his energy, with his positivity and sort of his reinforcement, he was able to bring out something special. And I can definitely say for a fact that I witnessed him speaking one-on-one with every single person in the cast and overheard him uplifting them.

BLAIR: Ortega's ability to nurture future stars and create films that teens around the world want to see has meant gold for Disney. They're hoping he's done it again with "Descendants." It's a musical fantasy about the teenage offspring of some of Disney's most famous villains.

(SOUNDBITE OF FILM, "DESCENDANTS")

UNIDENTIFIED ACTOR: (As character) (Singing) I'm rotten to the core, core, rotten to the core. I'm rotten to the core, core. Who could ask for more?

BLAIR: Ortega says he's thinks he's found young actors who could become every bit as successful as Zac Efron or Ashley Tisdale. He says he approached casting for "Descendants" the same way he approached casting for that first "High School Musical."

ORTEGA: When you cast, you want to make sure that these kids are coming fully loaded because you get about three weeks rehearsal, which is not a long time. So you want to make sure you have collaborators and partners in these young people, kids that are easily going to be sort of guided and steered and hopefully inspired.

BLAIR: So many years ago, Kenny Ortega's mentor, Gene Kelly, might have said the same thing about him. Elizabeth Blair, NPR News.

Copyright © 2015 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.