The Play's The Thing — High School Productions Down The Decades : NPR Ed Bob Mondello looks at the most-produced shows at high schools through seven decades and ponders what the choices made by drama teachers tell us.

The Play's The Thing — High School Productions Down The Decades

  • Download
  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript


UNIDENTIFIED SINGERS: (Singing) Five hundred twenty-five thousand six hundred minutes...


Lots of people get their first taste of Broadway close to home, in high school. We mentioned this to critic Bob Mondello, and then we dumped more than 100 pages of data on him - the yearly lists of the most-produced high school shows, dating back to 1938. Well, from Bob's reaction you'd of thought we'd given them a big present.

BOB MONDELLO, BYLINE: When my high school decided to do "Guys And Dolls" my senior year, I was ecstatic. I already knew the songs by heart. (Singing) I got the horse right here. The name is Paul Revere. How could Miss McMindes not cast me? She did not cast me, but I was her top ticket salesman, as I had been the year before for "The Music Man." So the first thing I checked in the Educational Theater Association's yearly log was where "Guys And Dolls" ranked among high school musicals in 1966.


UNIDENTIFIED SINGER #1: (Singing) When you see a guy...

MONDELLO: Pretty far down the list, actually. It was the 18th most-produced musical that year. What you're hearing, like all the songs in this piece, are high school performances I found online, a rabbit hole down which I advise you to travel - amazing talent out there. Anyway, the year before, in 1965, "Music Man" had been the third most-produced, with more than 40 productions around the country.


UNIDENTIFIED SINGER #2: (As Harold Hill) (Singing) Seventy-six trombones led the big parade.

MONDELLO: The Educational Theatre Association, let's note, is only polling its member schools in the International Thespian Society lists in prints in Dramatics magazine. The organization at 500 members in 1938. It has close to 5,000 today, but that's out of 21,000 high schools in the U.S., so these rankings are hardly definitive. They are consistent enough, though, to suggest some trends and truisms, and not just about musicals. Early on, there weren't many musicals. Of a total of more than a thousand high school productions in 1939, the editors counted just 30 operettas - a smattering of Gilbert and Sullivan, I'm guessing.


UNIDENTIFIED SINGERS: (Singing) Three little maids...

MONDELLO: Who better, after all, to sing "Three Little Maids From School" than three little maids in school?


MONDELLO: The editors complained in their early surveys that the plays being produced were not on a par with the music played by school orchestras. In other words, the bandleader had his students playing Beethoven, while the drama teacher was mounting titles like "Parents And Pigtails."

The editor suggested a solution - do one classic for every two popular plays - and then complained for years that no one was following their advice. They did note, though, that plays dealing with the problems of youth tended to top the list - "Life With Father," "Little Women," "Junior Miss" - plus, two that have stood the test of time - "Our Town" and "You Can't Take It With You."


UNIDENTIFIED ACTOR #1: (As Anthony P. Kirby) I'm not accustomed to going out to dinner and spending the night in jail.

UNIDENTIFIED ACTOR #2: (As Grandpa Martin Vanderhof) Well, now, you have to remember you came on the wrong night.


MONDELLO: "You Can't Take It With You" has been one of the 10 most-produced high school plays every year since the rights were made available to schools in 1939. And "Our Town" has only missed the top 10 in five years across all those decades. Note that both shows have age-appropriate parts for high schoolers and large casts, so plenty of kids can participate. And "Our Town" is designed to take place on an empty stage with no scenery. All you really need is a ladder.


UNIDENTIFIED ACTOR #3: (As Myrtle Webb) Breakfast is just as good as any other meal, and I won't have you gobbling like wolves.

MONDELLO: By the early 1960s, musicals had more than crept into the mix. They were threatening, in some years, to take it over. Fully half of the top 20 shows in a few 1970s years were musicals.


UNIDENTIFIED SINGERS: (Singing) Oklahoma, where the wind comes sweeping down the plain.

MONDELLO: Lots of Rodgers and Hammerstein - almost always "Guys And Dolls" and "Music Man." And remember I mentioned age-appropriate parts?


UNIDENTIFIED SINGER #3: (As Conrad Birdie) (Singing) There are chicks just ripe for some kissing.

MONDELLO: "Bye-Bye, Birdie," with its Elvis jokes and teen characters, leapt into the high school top 10 as soon as it closed on Broadway and still hasn't left.


UNIDENTIFIED SINGER #3: (As Conrad Birdie) (Singing) And those chicks don't know what they're missing. I got a lot of living to do.

MONDELLO: In more recent decades, those squeaky clean teens have been joined by the comparatively raunchy high schoolers in "Grease."


UNIDENTIFIED SINGER #4: (As Danny Zuko) (Singing) Go, Grease Lightning. You're burning up the quarter mile.

UNIDENTIFIED SINGERS: (Singing) Grease Lightning - go, Grease Lightning.

MONDELLO: The school version edits out a pregnancy and a lot of dicey language. And more recently, the slicked back '50s duck tail haircuts in "Grease" have been joined by the '60s beehives in "Hairspray."


UNIDENTIFIED SINGER #5: (As Tracy Turnblad) Good morning, Baltimore.

MONDELLO: Interestingly, never even once in the top 10 most-produced shows was another musical that has characters - "West Side Story." Probably that's because it also has ethnic tensions and premarital sex and gang warfare, which provide maybe too many teachable moments. Also, to do "West Side Story," you need a lot of that rarest of high school creatures - boys who can dance ballet. And this music is tough.


MONDELLO: It's worth noting that the top 10 shows of any year are, by nature, going to be conservative choices - shows that will work for drama teachers - lots of mid-sized parts, no big starring role that'll have to carry the whole show. There aren't enough adolescent Streisands out for there to be three dozen "Funny Girls" nationally in one year.


MONDELLO: This is Heather Headley at Northrup High in Fort Wayne, Ind., in 1992, and if she sounds like a star in the making, it's because she was.


HEATHER HEADLEY: (As Fanny Brice) (Singing) They're the luckiest people in the world.

MONDELLO: Here, she was in high school. Four years later, she was among the luckiest people in the world, originating the role of Nala in "The Lion King" on Broadway. And three years after that, she won a Tony award, playing the title role in Elton John's "Aida."

What the top 10 - or even top 20 - shows don't reveal is the breadth of what gets produced by high schools these days. When the list's editors do a deep dive into statistics, they'll note things like the fact that in a given year, besides the 10 most popular musicals, there are another 140 titles that get at least a couple of productions each, not to mention more than a thousand different plays. It's safe to say that every year, somewhere in a high school gymnasium, a 17-year-old boy is waxing dramatic in August Wilson's "The Piano Lesson."


UNIDENTIFIED ACTOR #4: (As Boy Willie) Papa Boy Charles brought that piano into the house. Now I'm supposed to build on what they left for me.

MONDELLO: And high school girls are playing prostitutes in "Miss Saigon."


UNIDENTIFIED SINGER #6: (As character) (Singing) See my new hot pants? They're just the right size. Don't you enjoy how they ride up my thighs?

MONDELLO: Would this please those original Thespian Society editors, the ones who argued for more seriousness in high school shows? Hard to say, but they'd certainly the fact that some Shakespeare has crept into the mix and Arthur Miller's "The Crucible" and on the musical side, a bit of Sondheim.


UNIDENTIFIED SINGERS: (Singing) Into the woods, without delay, but careful not to lose the way.

MONDELLO: Although Sondheim's brand of fairy tales ironic can't hold a candle, as Lumiere might say, to "Beauty And The Beast," which closed on Broadway in 2007 and for the next six years was the number one most-produced musical in high schools across the country, at Crescenta Valley High in California...


UNIDENTIFIED SINGER #7: (As Belle) (Singing) Oh, isn't this amazing.

MONDELLO: ...Greenville High in Pennsylvania...


UNIDENTIFIED SINGER #8: (As Belle) (Singing) It's my favorite part because...

MONDELLO: ...Twin Lakes High in Indiana...


UNIDENTIFIED SINGER #9: (As Belle) (Singing) ...You'll see.


UNIDENTIFIED SINGER #10: (As Belle) (Singing) Here's where she meets Prince Charming.

MONDELLO: A nationwide chorus of high schoolers singing about the girl who's into books, who loves a guy who built a library. Those original Thespian Society editors would be proud. I'm Bob Mondello.


UNIDENTIFIED SINGERS: (Singing) Now it's no wonder that her name means beauty. Her looks have got no parallel. But behind that fair facade, I'm afraid she's rather odd. Very different from the rest of us. She's nothing like the rest of us. Yes, different from the rest of us is Belle.

UNIDENTIFIED ACTOR #5: (As Lefou) I got it.

Copyright © 2015 NPR. All rights reserved. Visit our website terms of use and permissions pages at for further information.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.