Shawn Amos' Long Road To Old-School Blues The veteran singer, songwriter and producer recently released The Reverend Shawn Amos Loves You, which combines old-fashioned blues music with new technology.
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Shawn Amos' Long Road To Old-School Blues

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Shawn Amos' Long Road To Old-School Blues

Shawn Amos' Long Road To Old-School Blues

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RACHEL MARTIN, HOST:

Shawn Amos has worn a lot of hats in the music industry - singer, songwriter, producer. He started out in folk rook (ph) - folk rock mode, rather. But lately, he's a vessel for the blues.

(SOUNDBITE OF SONG, "DAYS OF DEPRESSION")

SHAWN AMOS: (Singing) In my days of depression, I could take my hand off the wheel. Let me go where the wind blows. Let me go with the Lord.

MARTIN: His newest album is "The Reverend Shawn Amos Loves You." He spoke with Karen Grigsby Bates from NPR's Code Switch team about the source of his inspiration.

KAREN GRIGBY BATES, BYLINE: Shawn Amos had a Los Angeles childhood that was equal parts grit and glamour.

AMOS: I grew in Hollywood in the '70s, when it was...

BATES: Sex, drugs, and rock 'n' roll, yeah.

AMOS: ...Far different than it is now (laughter).

BATES: He went to private schools and lived in a nice house, but it wasn't exactly in Mr. Rogers's neighborhood.

AMOS: I grew up waiting for a carpool with hookers (laughter) who knew me by name, and I knew drug dealers by name. And I lived across from an apartment complex that was sort of a home to all the pumping iron, sort of bodybuilding, gay porn kind of guys.

MARTIN: Shawn's dad, Wally Amos, was a former Hollywood talent agent who'd became a celebrity by creating Famous Amos chocolate chip cookies. His mother, Shirlee Ellis, was a former nightclub singer who performed as Shirl-ee May. She was a great beauty, but she also suffered from schizoaffective disorder.

AMOS: My mother committed suicide in 2003. She was severely mentally ill my whole life. And she'd given up her career long before I was born and so I never knew her as that Shirl-ee May figure of the clubs.

BATES: He tried to work his way through the hole she left by writing a tribute album to her.

(SOUNDBITE OF SONG, "THANK YOU SHIRL-EE MAY")

AMOS: (Singing) She came on strong and she went too fast. I try to keep it in the past. Thank you, Shirl-ee May.

BATES: Some songs were upbeat. Others had agony and a little anger.

(SOUNDBITE OF SONG, "GOOD INSIDE")

AMOS: (Singing) I know when enough's enough. I know that my best ain't much. Why must you always kill what's good inside?

BATES: The critics praised his maiden effort, but it didn't sell, which crushed him. After a couple other albums suffered the same fate, Amos withdrew from performing.

AMOS: I sort of felt like I can't approach music that way anymore. I can't, like, go into making music just pulling my heart wide open. It's just too hard for me, and I didn't know how else to approach music.

BATES: He decided to put his own songs aside and worked in the industry as an artist representative and a producer. He compiled the greatest hits of popular, alive and not, for Rhino Records and the Shout Factory.

And he produced albums for the likes of Heart, Quincy Jones and the great R&B man Solomon Burke.

AMOS: I was with him in the studio for three records, and I sat as close to him singing as we are now.

BATES: It was fulfilling work, and Amos was content doing it until he got an offer, in 2013, to front a friend's blues band for a weeklong tour in Italy.

And was it fun?

AMOS: It was life-changing.

BATES: The music was loud and energetic and happy. For once, he wasn't playing through pain or anxiety.

AMOS: I was just playing from a place of joy, and I just wanted to celebrate.

(SOUNDBITE OF SONG, "PUT TOGETHER")

AMOS: (Singing) With your do-rag, honey, you're all right. Baby, you're put together. The way you shake-shake, making crazy - honey, you're put together. I just want to come home.

BATES: He didn't so much want to imitate classic delta or Chicago blues. He wanted something else.

AMOS: I thought - like, what if Muddy Waters made a record today? Not like, trying to, like, pay homage to Muddy back then. (Unintelligible) a lot of people - oh, well, we'll do a record just like they did it back in 1950 whatever. But what if these guys were alive today and made a record today? What would they be talking about? And what would it sound like? And how would they take advantage of technology, but not turn it into, you know, a super slick rock record?

BATES: Old school, new tools. That's the guiding principle Shawn Amos applies as he plays around the country. There's a good chance he might be coming to your town. He's done 200 shows in the last two years, and each one is part of his mission.

AMOS: Keeping the blues alive, one gig at a time.

BATES: With joy.

Karen Grigsby Bates, NPR News.

(SOUNDBITE OF SONG, "DAYS OF DEPRESSION")

AMOS: (Singing) Let me go where the wind blows. Let me go with the Lord. I said let me go where the wind blows.

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