It's Not Just Reggae, Says Chronixx: Call It 'Black Experimental Music' The 24-year-old Jamaican artist has released his debut album, Chronology. It showcases his myriad influences, including genres like gospel, ska and electronic music and his own musical family lineage.

It's Not Just Reggae, Says Chronixx: Call It 'Black Experimental Music'

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We're going to meet a young Jamaican musician now named Jamar McNaughton who goes by the name Chronixx. He's 24, and he's done a lot without releasing a full-length album. He's performed twice on Jimmy Fallon's show and at big events like Coachella, Glastonbury and Central Park Summerstage. Now he has finally come out with his first album. Baz Dreisinger reports.

BAZ DREISINGER, BYLINE: He's been dubbed the leader of Jamaica's roots revival movement...


DREISINGER: ...An island-wide return to old-school reggae. But does this sound like reggae?


CHRONIXX: (Singing) Oh, Christina, I still believe in me. And I'm a dreamer. But now I'm walking in my dream. Oh, yeah, Christine. Tell me, who do you see when you turn on your TV?

DREISINGER: Chronixx calls it black experimental music influenced by everything from gospel and funk to ska and electronic music.

CHRONIXX: Remember that black people in the Western world, our last names are Smith and Brown and McIntosh. So we literally had to experiment with our soul to create music because, you know, opposed to the people in West Africa who grew up with thousands and thousands of years of musical practice and the freedom to practice those ancient cultural music, we had to dig deep in our souls to find it.

DREISINGER: Jamaica is a place that Chronixx says has long been influenced by many sounds. Ska was shaped by New Orleans jazz, reggae by American soul, blues and funk, dancehall by hip-hop and vice versa. Chronixx taps into all of these traditions.

CHRONIXX: All part of the same family tree, trust me. I personally can't even see the difference sometimes. And it's just the cultures and the language that is different. But the beat, the heartbeat, remain the same.


CHRONIXX: (Singing) Give me a beat and a mic. Ready we go studio, go voice. But when me put that song here upon my timeline, no, me no do it for the likes. Let me tell them me do it for the love, me no do it for the likes (ph).

Jamaican music, you know, as much as it has shaped a lot of popular music from around the world, the same is vice versa, you know? So when Jamaican music was just evolving into reggae music, you have a lot of artists doing covers of R&B music. "Majesty," for instance, on the album, the original track is done by The Spinners. And that soulful, rock steady, lovers' rock kind of sound, it come from fusion of all different kind of music.


CHRONIXX: (Singing) Before I hold you in my arms...

UNIDENTIFIED SINGERS: (Singing) Hold you close in my arms.

CHRONIXX: (Singing) ...I want to hold you in my heart.

UNIDENTIFIED SINGERS: (Singing) Hold you close in my heart.

CHRONIXX: (Singing) Before we share our love up on that bed...

UNIDENTIFIED SINGERS: (Singing) Share the love. Share the love.

CHRONIXX: (Singing) ...I want to place this crown upon your head, woman. Girl, you're my queen, majesty.

DREISINGER: It's no surprise that Chronixx knows his musical history, says DJ Max Glazer of New York's Federation Sound System. He co-produced a mixtape with Chronixx last year and has toured with him a lot.

MAX GLAZER: He's someone that listens to a lot of music. He's not only a singer. He's a producer and an engineer. So he's really interested in technology. He likes learning about things and just trying different things.

DREISINGER: And Glazer says that approach is attracting a diverse crowd.

GLAZER: A Chronixx show brings out the hardest of hardcore reggae fans. It brings out college kids. It brings out racially a very mixed crowd - white people, black people. I've watched everything from small children with their parents to grandparents there.

DREISINGER: Chronixx's own family has a lot to do with his approach to music. His father is dancehall artist Chronicle, who had a string of hits in the early 1990s.


CHRONICLE: (Singing) In the name of the Lord my God is, yes, is real. My God is real. Ooh, in the name of the Lord my God is, yes, is real. My God is real. Hey...

DREISINGER: Chronicle explains where his son got his stage name.

CHRONICLE: He go to school, they say that's Chronicle's son. So his friend just say Chronixx. Everywhere he go, Chronicle's son - in the street, Chronicle's son; church, Chronicle's son. He goes to the studio and him said, I'm Chronicle's son. All doors open.

DREISINGER: Chronicle's son began writing music at age 6 - songs, he says, about justice and equity and upliftment. And he was producing and mixing at 15. His father turned his home into a kind of Jamaican Partridge Family, giving his kids props as instruments and telling them to imagine palm trees were the audience.

CHRONICLE: My kids, them always singing. And sometimes I said, Jamar - that's Chronixx - you do the lead. Stacy and Kenisha and Che, you put on the harmony. So I gave Jamar a Guinness bottle...

CHRONIXX: Guinness bottles to use as mics.

CHRONICLE: ...And gave Stacey and Che and Kinesha the brooms and the mop.

CHRONIXX: My sister, them had to use the mop stick as a backup mic and build them choreography. And, you know, we had to perform. He taught us how to perform and how to dance on stage and...

CHRONICLE: How to talk to the audience.

CHRONIXX: Learning our father's music brought us closer to our authentic cultures as Spanish Town people, people who born and grew in the inner city of Jamaica, in the ghetto. And it give you a sense of what that feels like and what - how to express that through music.

DREISINGER: Chronixx says that's now his duty. He's come a long way from Guinness bottles and mop handles. For NPR News, I'm Baz Dreisinger.


CHRONIXX: (Singing) And when the truth hits painfully, that's when you know if you're really who you claim to be. For so long we've been denied, rejected and brutalized. But your children shall win the war.

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