Reviewed: 'Loveless,' Academy Award Nominee For Best Foreign Language Film Russia's contender for a best foreign language film Oscar is a bleak and searing indictment of Russian society, told through the eyes of a rancorous married couple.


Movie Reviews

A Missing Child, A Dying Marriage And A 'Loveless' Society

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There's been a lot of Russia in the news today, so let's take a few minutes to hear about a Russian movie. It's called "Loveless," and it's an Oscar nominee for best foreign language film. On the surface, it's about a failing marriage and a missing child, but critic Bob Mondello says "Loveless" can also be read as an allegory about Russian society.

BOB MONDELLO, BYLINE: Parents screaming at each other about their upcoming divorce...


MARYANA SPIVAK: (As Zhenya, speaking Russian).

MONDELLO: They're selling their apartment, and the relationship is so toxic that if they could, they'd probably sell their kid, too. Neither of them wants to take care of 12-year-old Alyosha. He's sobbing quietly in the shower as they argue. They don't see that. We do.


MATVEY NOVIKOV: (As Alyosha, crying).

MONDELLO: Shouting done, the parents go on with their lives. Each has a new partner, and their divergent choices suggest just how doomed their marriage was. Dad's already shacked up with his pregnant, very traditional Russian girlfriend. Mom's living what you might call a capitalism-on-steroids life with a rich, older businessman - expensive restaurants, sleek penthouses.

When she gets home that night, she goes to bed without checking on Alyosha and just assumes the next morning that he's already left for school - turns out he's long gone. The police show up but prove useless. They point the family to a network of volunteers, and soon they're combing forests and an abandoned, decaying Soviet-era complex that looks like something out of "Mad Max."


SPIVAK: (As Zhenya) Alyosha.

MONDELLO: By this point in most movies, mom and dad would be working together out of necessity, but that's not the story "Loveless" wants to tell. Writer-director Andrey Zvyagintsev is intent on showing how calamity far from uniting people can push them apart. As he did in "Leviathan" about a land grab in a small town, he tells what seems to be an intimate story while calling attention to the social forces affecting it - government bureaucracy that gets in the way when it should be helping, religion hampering, technology misleading, loyalties obstructing. It's no accident that a character in "Loveless" is seen in a tracksuit emblazoned with the word Russia in large block letters but running in place on a treadmill - effort expended without actual progress.

As the parents trek from hospitals to morgues in search of the child they once talked of abandoning to an orphanage, news blares in the background about disruptions in Ukraine. What chance, wonders this bleak, devastating film, has a 12-year-old in a society so loveless? I'm Bob Mondello.

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