Beyond 'Shallow': A Look At The Oscars Picks For Best Original Song NPR Music's Stephen Thompson breaks down the 2019 Oscar nominees for best original song.
NPR logo

Beyond 'Shallow': A Look At The Oscars Picks For Best Original Song

  • Download
  • <iframe src="https://www.npr.org/player/embed/687491813/687527875" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript
Beyond 'Shallow': A Look At The Oscars Picks For Best Original Song

Beyond 'Shallow': A Look At The Oscars Picks For Best Original Song

  • Download
  • <iframe src="https://www.npr.org/player/embed/687491813/687527875" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

MARY LOUISE KELLY, HOST:

There were some surprises in this year's Oscar nominations, but this next conversation is about one that will have surprised absolutely no one who's been paying attention in the best original song category. There was one song you could be pretty sure was going to make the cut.

(SOUNDBITE OF SONG, "SHALLOW")

LADY GAGA: (Singing) I'm off the deep end. Watch as I dive in. I'll never meet the ground.

KELLY: That, of course, is Lady Gaga singing her song "Shallow" from "A Star Is Born." It does have competition in this category, and here to talk about that is NPR's Stephen Thompson. Hey there, Stephen.

STEPHEN THOMPSON, BYLINE: Hi. Good to be here.

KELLY: So is "Shallow" the hands-down favorite one to beat this year?

THOMPSON: I think it's the most likely winner of all the Oscar nominations this year. It is a true movie showstopper, and it's a good example of an original song in a movie that is actually integral to the movie in which it appears.

KELLY: Right. It's actually part of the plot...

THOMPSON: Yeah.

KELLY: ...As they're making their way through it. I will confess to being completely biased, and I love this song.

THOMPSON: (Laughter).

KELLY: I've had it on replay in my car ever since the movie came out, but run us through the other nominees real quick.

THOMPSON: Well, you've got "All The Stars" by Kendrick Lamar and SZA from "Black Panther."

(SOUNDBITE OF SONG, "ALL THE STARS")

SZA: (Singing) This may be the night that might dreams might let me know. All the stars are closer. All the stars are closer.

THOMPSON: You've got "The Place Where Lost Things Go," which is a very sweet ballad from "Mary Poppins Returns."

(SOUNDBITE OF SONG, "THE PLACE WHERE LOST THINGS GO")

EMILY BLUNT: (As Mary Poppins, singing) Nothing's really left or lost without a trace.

THOMPSON: "When A Cowboy Trades His Spurs For Wings" from the "Ballad Of Buster Scruggs," that's written by David Rawlings and Gillian Welch.

(SOUNDBITE OF SONG, "WHEN A COWBOY TRADES HIS SPURS FOR WINGS")

TIM BLAKE NELSON AND WILLIE WATSON: (As Buster Scruggs and The Kid, singing) Yippee-ki-yi-yay. He shalt be saved when...

THOMPSON: Then you've got a song called "I'll Fight," written by Diane Warren and performed by Jennifer Hudson. That's from the "RBG" documentary.

(SOUNDBITE OF SONG, "I'LL FIGHT")

JENNIFER HUDSON: (Singing) So I'll fight, fight that war for you. I'll fight, stand and defend you. Take your side...

KELLY: You know, for the last few years, we've talked a lot about the Academy Awards and attempts to diversify what you see on stage, diversify the nominees, diversify the voices. Does this current batch of nominees reflect that?

THOMPSON: It's a relatively diverse field. What I - what I like about it is that it's stylistically diverse. You have a cowboy song - kind of a traditional cowboy song in that "When A Cowboy Trades His Spurs For Wings" from "Buster Scruggs." You have kind of a traditional Oscars ballad in "I'll Fight." "The Place Where Lost Things Go" is a very traditional Disney nominee and, I think, a sweet song. "Shallow," obviously is your showstopper. And then you've got "All The Stars," which is a - which is a true kind of pop hit.

So I like the fact that when you listen to these songs, they don't all sound the same. They're not all kind of traditional movie ballads like you sometimes get.

KELLY: Any song you think should have made the nominee list and didn't?

THOMPSON: For me, the song that would have really filled out this field perfectly is a song from the movie "Sorry To Bother You" by The Coup which is led by the movie's director, Boots Riley. The song title is billed as an acronym, but it stands for, oh, yeah, all right, hell yeah, that's tight. And it has this this great, infectious, wonderful energy that I would have loved to have seen on an Oscars stage.

KELLY: All right. Well, I'm going to let you take us out on that one. Since we won't be hearing that on the Oscars stage, we'll hear it now. That's NPR music's Stephen Thompson. He's also a panelist on Pop Culture Happy Hour. Thank you, Stephen.

THOMPSON: Thank you.

(SOUNDBITE OF SONG, "OYAHYTT")

THE COUP: (Singing) Oh, yeah. All right. Hell yeah. That's tight.

Copyright © 2019 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.