RACHEL MARTIN, HOST:
When CIA officers walk out of the U.S. Embassy in Moscow, they are shadowed everywhere by Russian security - when they go to stores, to restaurants, to and from their apartments.
JONNA MENDEZ: You couldn't have an argument with your husband or your wife. You couldn't turn around without them knowing.
MARTIN: That is the voice of Jonna Mendez. She and her husband Tony Mendez, who died earlier this year, have a new book out. It is titled "The Moscow Rules," and it opens a rare window into how the CIA works in the Russian capital. Here's NPR national security correspondent Greg Myre.
GREG MYRE, BYLINE: As a young government employee in 1975, Marti Peterson was assigned to the U.S. Embassy in Moscow. She loved the social scene, and it earned her a nickname.
MARTI PETERSON: I was known as Party Marti because I did - I was out socializing with the Marine guards, with younger secretaries - the single, social life.
MYRE: Peterson was actually with the CIA - the first woman officer sent to Moscow. Her cover was to be a fun-loving clerical worker, someone Soviet security could safely ignore, as it obsessively tracked actual and suspected CIA officers. Her mission was to handle one of the most valuable Soviet sources the CIA had ever cultivated - a foreign ministry worker who saw the incoming cables from every Soviet embassy in the world.
PETERSON: So we got a huge insight into what the Soviets were planning, what their intentions were, what their negotiating points were before we even sat down with them
MYRE: Peterson and her source - code name TRIGON - communicated by dead drops in the dead of night, often at a Moscow park. She would place a fake log with messages inside. He'd show up an hour later and drop a rusty can or an old, oily glove. Tucked inside was film of top-secret documents he'd photographed with a miniature camera. Peterson never saw those photos, but U.S. presidents did.
PETERSON: We just knew that we were picking up gold off the street.
MYRE: We'll return to her story in a moment. It's one of many spy tales in a new book, "The Moscow Rules," by Tony and Jonna Mendez, a couple who both had long careers at the CIA. She offers a sampling of those rules.
MENDEZ: You are never alone. Don't trust anyone, no one - not the little lady in the restroom who's sweeping out the stalls, not the flower girl in the corner. You just didn't trust anyone in Moscow.
MYRE: The CIA considered it too risky to recruit Soviet citizens inside the country. They were recruited abroad, and when they returned to the Soviet Union, communication was never direct.
MENDEZ: For many, many years, we never met face to face because we thought it was too dangerous.
MYRE: At separate points, Tony and Jonna Mendez each served as chief of disguise at the CIA. They were part of the Office of Technical Services.
MENDEZ: We were the equivalent of Q in the James Bond movies.
MYRE: Tony Mendez, who died in January, is best known for a previous book he wrote, "Argo," which became the Oscar-winning movie of the same name. Ben Affleck portrayed Mendez, who guided trapped American diplomats out of revolutionary Iran in 1980. The couple was never based in Moscow but traveled there to help CIA officers operate in the city. The main Soviet security agency, then known as the KGB, made that as difficult as possible, says Oleg Kalugin. He's a former KGB officer who became a critic of the Soviet system, and he now lives outside Washington.
OLEG KALUGIN: The Soviet's KGB was a strong, powerful organization.
MYRE: To escape KGB surveillance, Tony Mendez developed one technique called disguise on the run.
MENDEZ: He had started businessman, in a raincoat and a briefcase.
MYRE: He turned the raincoat inside out, and it became a pink woman's overcoat. He pulled up his pant legs, revealing black stockings. He put on a mask and a wig of an elderly woman. The briefcase sprouted wheels. In just 45 seconds...
MENDEZ: He ended up an old woman in a pink coat, wearing a shawl with gray hair coming out, pushing a grocery cart. And it was just kind of an amazing transformation.
MYRE: Tony Mendez worked with some of Hollywood's top makeup artists to refine his skills. Jonna Mendez would develop the tiny rolls of film provided by the agency's Soviet spies.
MENDEZ: You'd think about the people that had risked their lives to get that information on film, and you'd just be so careful. Every time you did it, I mean, your heart would just pound.
MYRE: Their book looks at the Soviet era, and some of the spy craft may be a bit dated. But the espionage game goes on, says Oleg Kalugin. Many years ago, he was Vladimir Putin's boss at the KGB and says Putin's background is essential to understanding today's Russia.
KALUGIN: Putin actually brought back some of the worst sides of the Soviet regime. Well, as a former KGB guy, his psychology, you know, is based on the old traditions of the Soviet system.
MYRE: Speaking of the Soviet system, whatever happened to Party Marti Peterson and the Soviet source she handled? Well, after almost two years in Moscow, Peterson went to a bridge one night and hid a package for him. It included money, emerald jewelry and a new camera. As she walked away...
PETERSON: I was accosted by these three men who grabbed me. They knew exactly where the package was. And there was a whole van full of people in suits.
MYRE: They were KGB, and they took Peterson to their notorious headquarters, Lubyanka. She learned that her source TRIGON, whose real name was Alexandar Ogorodnik had been discovered three weeks earlier. When confronted, he said he would write a confession with his own pen.
PETERSON: This pen contained poison, which we, CIA, had provided to him as fulfilling his request to have a way to commit suicide, which he did at that time.
MYRE: Peterson was kicked out of the Soviet Union but worked another 26 years with the CIA. Before all these stories could be published, Tony and Jonna Mendez had to submit their manuscript to the CIA for review, a lengthy process that came as his health was declining from Parkinson's disease.
MENDEZ: They knew that Tony was not well. And I sent a note in, saying, could you consider pulling our manuscript and putting it on the top of your pile? Because I'd really like for him to know it's OK.
MYRE: The CIA gave its approval this past January, one day before Tony Mendez died.
Greg Myre, NPR News, Washington.
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