The Curious Tale Of The Band Luxury, Who Escaped Tragedy And Embraced Faith A new film follows the indie rockers' rise in the 1990s, the traffic accident that disrupted their lives and their recent return — after three of the members became Orthodox priests.

The Curious Tale Of The Band Luxury, Who Escaped Tragedy And Embraced Faith

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The band Luxury started out as college kids in the 1990s who just wanted to rock.


LUXURY: (Singing) Please don't be so mysterious. There isn't time.

MONTAGNE: Hailing from a small town in Georgia, the band was on the rise in the punk rock scene. That's until a tragic event changed their lives. Today, the band is still making music. Three members are now also Eastern Orthodox priests. Their story is captured in the new documentary, "Parallel Love: The Story Of A Band Called Luxury." We spoke with the filmmaker Matt Hinton, who later joined the band, plus Father Christopher Foley, the bassist. I started by asking why they were on a Christian music label when they first started out.

MATT HINTON: You know, we didn't feel particularly comfortable with the Christian label. We were on a record label that was from the Christian music scene, but they really felt like they were trying to, you know, sell to both markets, trying to get some college radio airplay. But certainly when we would play Christian venues, you know, I think people didn't know quite how to take us. We were maybe a little bit too edgy.

MONTAGNE: Let me play a song from your first album. It's called "Bitter, Once Again."


LUXURY: (Singing) He's cursing the chastity belt, hoping love could be bought.

MONTAGNE: OK. Well, cursing the chastity belt; other songs, by the way, not just this one, sexually suggestive lyrics.


LUXURY: (Singing) Never look down a boy's shirt 'cause nature will let you down.

MONTAGNE: How did this go down in a very evangelical Christian milieu?

HINTON: This is Matt. Records that were distributed to Christian bookstores and places like that, you know, would get returned because of lyrical content. But I think that from the outset, the idea was that that label had reach within the so-called general market, not necessarily the Christian market.


LUXURY: (Singing) Oh, isn't that what they say?

MONTAGNE: For listeners who aren't familiar with the band Luxury, it had a very captivating - one could even say hot - frontman, Lee Bozeman, whose brother was a guitarist who shredded until his fingers bled - that was Jamie Bozeman - and a gifted, extremely intense drummer, Glenn Black. Let's take a listen from some fans in your documentary.


UNIDENTIFIED PERSON #1: I've been mildly obsessed with Luxury since I was 14.

UNIDENTIFIED PERSON #2: It let you know who the sensitive guys were (laughter) or weren't if they would dress up with you and go to a Luxury show.

UNIDENTIFIED PERSON #3: And I thought, God, I can't believe these guys are from Georgia.

MONTAGNE: How quickly did Luxury really hit, Father Christopher?

CHRISTOPHER FOLEY: You know, the '90s was such a unique time in the music world, you know, after Nirvana broke and all these underground bands then all of a sudden became on the forefront. So we were touring around the southeast doing a lot of weekend gigs. We were starting to get bigger shows in Atlanta and Athens. After the first album came out, you know, there was this trajectory of, you know, we're going to play larger venues, maybe start touring in other parts of the country.


MONTAGNE: And right at that moment, the band is leaving a festival, and something terrible happens.

FOLEY: Yeah, correct. I was in the car following the van that had - I don't know - nine folks maybe in the van. The driver lost control and tried to overcompensate and wound up going into the median and landed after flipping a few times. A few of the members got thrown out of the van. It was just an awful, tragic accident.

MONTAGNE: Potentially deadly.

FOLEY: Right. Yeah. Our singer, Lee - I mean, there was a few days where he was in ICU, and, you know, they didn't know quite if he was going to make it.

MONTAGNE: In the documentary, you actually see Lee Bozeman talking about this.


LEE BOZEMAN: They had to open me up and found that my bladder had burst, my urethra had been severed and then a lot of broken things. So my pelvis had been flattened, basically.

MONTAGNE: What effect did this have on the band and the band's ambitions?

FOLEY: I think once everybody started healing up, I don't think we sat down and had a discussion. I think we just continued to start writing music again. I think it wasn't until maybe a few years later looking back we began to realize how deeply this affected us and how it started to change the trajectory of where we were headed. I guess the fame and fortune and the dream of living this rock star life, it just started to fade. And what became more important was our families. You know, many of us were married young and started having kids.

MONTAGNE: Well, in that moment - let me just put this in a little bit of perspective. In America's rhythm and blues tradition, musicians traditionally, in fact, come out of the church. But becoming priests in the Eastern Orthodox Church...

FOLEY: (Laughter).

MONTAGNE: I can hear you laughing - I mean, you know what I'm saying. It's very unusual.

FOLEY: Yes. I think what drew me to the punk rock scene initially was this authenticity of people coming together, reacting against the evils in this world and wanting to make a change. But the Christianity while in college I felt like was just, in a sense, playing a single note, and I was longing for a chord. I guess you can't get more countercultural than embracing an ancient Christian tradition. And so the more that I discovered about the ancient Eastern Christian faith, it just resonated on a deep level.

MONTAGNE: There is a tension in the fact that, generally speaking, the Eastern Orthodox Church does not use musical instruments.

FOLEY: Well, there certainly is a tension there. But, you know, we would never dream of having, you know, like a rock 'n' roll liturgy or something like that. In a sense, that's what drew us to Orthodoxy was the fact that kind of transcended kind of a modern cultural expression of, you know, rock music. It was kind of the opposite of that. What I liked about Orthodoxy is it kind of blew away the distinctions and the dichotomies between sacred and secular. You know, those that are in the world, you know, we try to find a way to bring whatever talents we have and just lift them up and to try to bring - I don't know - somehow God into the midst of our talents by using them and offering them up.


LUXURY: (Singing) The half-life is strange. Here, there is constant decay. Give praise where praise is due, I still say. Do I feel love where I used to feel hate?

MONTAGNE: This last question is to you, Matt Hinton. You are the filmmaker. What is Luxury a story of?

HINTON: So the film is called "Parallel Love." That gets at something there - that you have two different trajectories that run parallel to one another. They're not exactly a story of bringing rock 'n' roll into Orthodoxy. It's people of faith living authentic lives and doing the things that they feel gifted to do.

MONTAGNE: That was Matt Hinton and Father Christopher Foley of the band Luxury. The documentary, "Parallel Love," is out in select theaters now. Thank you both for joining us.

HINTON: Thank you.

FOLEY: Thank you.


LUXURY: (Singing) This side of paradise. When you close your eyes, do you ever pray?

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