'Author In Chief' Explores Whether A Presidential Memoir Can Really Give An Honest Picture Historian Craig Fehrman says yes; his book Author in Chief reveals little-known and unknown stories of presidents and their writing. Fehrman's pick for a good read: Calvin Coolidge's memoir.
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Can A Presidential Memoir Really Give An Honest Picture?

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Can A Presidential Memoir Really Give An Honest Picture?

Can A Presidential Memoir Really Give An Honest Picture?

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Presidents wield enormous power through words - the bully pulpit, to use Theodore Roosevelt's phrase. Historian Craig Fehrman has been reading the words past presidents put in books, from the campaign books they use to get elected to post-presidential memoirs. Fehrman's book, "Author In Chief," explores them all, including works that are ghostwritten.

CRAIG FEHRMAN: There have been a lot of books that the presidential candidates themselves wrote - Lincoln, Coolidge, Jefferson, Adams, Obama - plenty of examples. There have also been plenty of examples where they worked with a ghostwriter. But to me, I would push back on this idea that a ghostwritten book can't be a revealing book or can't be an important book.

I mean, the history of ghostwriting in America goes all the way back to George Washington in his farewell address. There's as much of Alexander Hamilton and John Adams in that speech as there is George Washington. But the secret is to get yourself really good ghostwriters, right? It helps if Alexander Hamilton is the one helping you express your ideas. So there were definitely some ghostwritten books, but to me, the distinction is good ghostwriting versus bad ghostwriting.

INSKEEP: This is a person who's a politician, though, who - whether they are writing the book themselves or working with other people - they're trying to sell themselves to the public, cast themselves in the best possible light. Do these tend to be honest books?

FEHRMAN: I think the books are often honest. Sometimes they're honest maybe in ways that the politicians didn't intend them to be. So even if you can tell that somebody is selling a specific version of themself, that version that they're selling is really revealing.

A good example of this, I think, is our current president's first book, Trump's "Art Of The Deal." That was a book that - it wasn't his Twitter account that made him a national figure. It wasn't a TV show. It was a book in the 1980s. And that really lifted him from being a New York City figure to being a national figure. And he had a ghostwriter that he gave great access to, and he chose a good ghostwriter. And that helped the book be a really authentic representation of Trump's voice and Trump's ideas.

INSKEEP: But I'm still thinking about this because you have a quote from a young John Adams, who suggests that anybody who writes is writing for renown - the implication being that it might be difficult to be ruthlessly honest when the subject is yourself.

FEHRMAN: Yeah, I think that's true, and I think that John Adams is a great example of that. When John Adams worked on his presidential memoir, he ended up writing 400 pages. But even though Adams could be very honest in letters, he could be very honest about other people and their ambitions or their failings, Adams struggled in his own book to be honest about himself. He couldn't really confront that idea that he had articulated as a young man about ambition.

You know, this is a book that was written in the early 1800s, and it's a critique that you could apply to a lot of presidential memoirs written even today. It's an example of that tradition being really long but also there being some consistencies in terms of how presidents write about themselves.

INSKEEP: Tell me the story behind one of the most famous books by a president, "Profiles In Courage" by John F. Kennedy. It is often said by his detractors that he didn't really write that book at all. Did he?

FEHRMAN: No, he did not write the book. And there's kind of an aura of it being ghostwritten and a little bit of a sense of scandal around the book. What I did, by spending some time at the Kennedy Presidential Library and really going deep into this topic, is I showed that the scandal was much, much bigger than maybe even previous biographers have realized.

Kennedy did not work that hard on his book. Where he did work really hard was in promoting his book. He went to his publisher and said, you know, I think the author photo needs to be a little bit bigger. He wrote his editor a letter and said, I was just in the airport in Washington and didn't see my book for sale; what are we going to do about that? And this is all while he's a U.S. senator and while his book is a bestseller, but he's still taking the time to emphasize those issues.

Probably the biggest discovery I made about Kennedy involved the Pulitzer Prize, which his book famously won in 1957. The story that's sort of been told about this is that Kennedy's father, Joseph Kennedy, just kind of decided that his son needed the Pulitzer Prize. But I show that actually Kennedy himself was the one who was obsessed with the Pulitzer Prize. And I found documents at the library that show Kennedy was personally involved in getting his book the Pulitzer Prize. It's a fine book, but does a book written by somebody else really deserve a Pulitzer Prize? I think most readers would say no.

INSKEEP: The actual author is Ted Sorensen, his speechwriter?

FEHRMAN: That's right.

INSKEEP: And it's not that they collaborated in some way; Sorensen just wrote it?

FEHRMAN: Well, that's always a tricky question. But the idea for a book came from Sorensen. Sorensen wrote the first draft. Sorensen did the vast majority of the research. And Sorensen, as best we can tell, did most of the second draft, too. And Sorensen worked so hard on this book he finished the first draft in about a month, while his wife was eight months or so pregnant. And so he's not at home. He's not with his family. He's just working on this book, trying to get the draft done.

This was a book that Sorensen worked really hard in. But then once the book became scandalous, once there became charges of ghostwriting, Sorensen was willing to say, even in an affidavit sworn in front of a notary, this is not my book; this is John F. Kennedy's book. And I think that tells you something about Sorensen's loyalty to his boss.

INSKEEP: If he swore an affidavit saying he didn't write it, what proof is there that, in fact, he did?

FEHRMAN: Well, there's thousands of pages at the Kennedy Presidential Library. And you can compare the dates on some of these drafts to Sorensen's schedule and to Kennedy's schedule. You can look at their handwriting; their handwriting is actually kind of similar, maybe an example of sort of the mind meld between these two men. But you can see that Sorensen was the one making some of these changes.

And then you can just look at the letters. I looked at a lot of letters between Sorensen and Kennedy. They also spoke on the phone quite a bit because they were rarely together when they were working on this book. But in the letter, Sorensen is just, you know, very honest. He sends Kennedy a draft of an article, and he says, hey, I think there could be a book in this; what do you think? You know, that's clear proof that this idea originated with Sorensen, not with Kennedy.

INSKEEP: Granting that most of the books that you've studied here were meant for the moment and maybe don't stand the test of time all that well, would you recommend one that rises to the level of literature, that are absolutely worth going and buying and reading right now?

FEHRMAN: Sure. My favorite book that I discovered - and you can find it online; I'm not sure if it's still in print - was an autobiography by Calvin Coolidge. This came out in 1929, as soon as he had finished his presidency. And honestly, I think most people don't even remember Calvin Coolidge's presidency, much less the fact that he was a wonderful writer. But he really was a great writer, and that helped him become president, and that helped him write a great autobiography. H.L. Mencken, I don't think he liked anything about Calvin Coolidge except his prose style. But that prose style really shines through in the autobiography.

And what I loved about Coolidge's autobiography is, first, it's short; it's only a couple hundred pages, which is certainly a marked contrast to most presidential memoirs. And it's just so personal. Coolidge doesn't get into political debates or talk about his favorite policies; he talks about what it felt like to be president.

And the best example is that his son passed away while he was president, and there are just heartbreaking passages where Coolidge talks about - I was the most powerful person in the world, but I had no power to save my son's life. And I wish more presidents would write about their experiences in the White House that way. Tell us what it felt like to be president; show us the human being. That's certainly what I tried to do in my book.

INSKEEP: How is it that if you know anything much about Calvin Coolidge, you know that he was a man of few words who hardly ever said anything, and now you reveal he was actually a very good writer?

FEHRMAN: Yeah, the idea of Silent Cal is completely wrong. It's - what made Coolidge a national figure and what helped him become president wasn't his silence; it was the opposite - it was the words he wrote. He was a fantastic writer, and he had a real gift for being terse, which I guess lines up with the Silent Cal idea. But he wrote speeches that resonated and that brought him attention. And his book was essential to him becoming, first, a vice president and then a president.

INSKEEP: Craig Fehrman is the author of "Author In Chief: The Untold Story Of Our Presidents And The Books They Wrote." Thanks so much.

FEHRMAN: Hey, it's my pleasure. Thank you.


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