Play It Forward: Glenn Copeland On 'Keyboard Fantasies' And The Band Bernice Glenn Copeland, whose ambient and electronic recordings were largely unknown for decades, talks about his late career reemergence, the power of positive thinking and the Canadian band Bernice.
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Play It Forward: Glenn Copeland On Patience, Positivity And The Band Bernice

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Play It Forward: Glenn Copeland On Patience, Positivity And The Band Bernice

Play It Forward: Glenn Copeland On Patience, Positivity And The Band Bernice

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It's time for Play It Forward. It's a musical chain of gratitude where we talk to artists about their music and about the musicians they are thankful for. Last week we kicked it off with Dan Snaith, who records as Caribou. He told us why he's grateful for a musician named Glenn Copeland, who is today's link in the chain.

Copeland is a trans man who recorded decades ago as Beverly Glenn-Copeland. Those albums were essentially unknown until a music collector in Japan unearthed them and reintroduced this music to the world. I asked Caribou what he would like to tell Copeland.


DAN SNAITH: I'd just like to say thank you. You know, his music has meant so much to me and so much to so many people that I've talked to. You know, you get to meet a lot of people that are meaningful to you as musicians, and I've never met anybody who still has that - such a limitless kind of positivity and optimism and is so enthusiastic about the possibility of youth and kind of what music can do to change the world. Yeah, it was really, really inspiring.


GLENN COPELAND: (Singing) Welcome the spring and the summer rain.

SHAPIRO: And we are joined now by Glenn Copeland. Welcome.

COPELAND: Thank you. Happy to be here. Thank you so much, Ari.

SHAPIRO: Let me just begin by asking you what your reaction to that sentiment from Caribou, from Dan Snaith is.

COPELAND: Well, first I need to find out how to get in touch with him and thank him for those lovely thoughts. And next, I need to live up to it.


COPELAND: Oh, my goodness. It's good to know that the music that's being sent to me at this point is making a difference for folks in some - one way or another. And yes, that means I'm fulfilling what I'm supposed to be doing at this time, I suppose. Yeah.

SHAPIRO: It's interesting that you say you're fulfilling what you're supposed to be doing at this time because you recorded this music many years ago, and it sat in relative obscurity for a long time.

COPELAND: I have a joke about that. It goes like this. You know, the universe went red light, red light, no, no, red light, red light on and on for years and years and years. And then it went caution. And then it went green. And then it said, and by the way, can you still walk? Too bad if you can't. Get on it.

SHAPIRO: (Laughter) Tell me about the moment the light turned green. Describe that day for me. What happened?

COPELAND: It was a day in which I received an email from a gentleman in Japan asking if I had an old, you know, cassette called "Keyboard Fantasies." And I got back to them, and he said, well, you know, send me 30 of them. And I was, like, stunned because no one had asked for anything for, you know, 30 years or something.

SHAPIRO: Thirty years?

COPELAND: Yeah, probably. I mean, I had written this stuff in the '80s - early '80s. And, you know, this was the end of 2015. And, like, three days later, literally, he got back to me and said I sold them all, and can you send me more. I'm a very solitary person, and I, you know, don't get out and about and didn't know what was going on in music because I barely ever listen to any of it. And so I had no idea what was going on in the world. And what was going on with him was that his website was watched internationally. And within about - oh, I don't know - three months I had - you know, I don't know - six, seven offers for record deals.

SHAPIRO: Really? And you - if you don't mind my asking, how old are you now?

COPELAND: Oh, I'm 76.


SHAPIRO: Something that Dan Snaith - Caribou - said about you that stood out to me is that you have limitless positivity and optimism. Is that how you see yourself? Where does that come?


SHAPIRO: No? It's not how you see yourself?

COPELAND: (Laughter) No. How I see myself is that I'm working to have limitless positivity and optimism.

SHAPIRO: That's the project.

COPELAND: Yeah, that's this life project. And every day I see another horizon towards which to work.

SHAPIRO: Was it difficult to do that when people were not recognizing your music and your talent and your art?

COPELAND: It has nothing to do with recognition. It has to do with whether or not you consider yourself fortunate to have been born to see the magnificence of life itself. That's what it's about for me.

SHAPIRO: Beautifully said.


COPELAND: (Singing) Let it go. Let it go now. It's OK. Let it come...

SHAPIRO: All right, well, Glenn Copeland, it is your turn to pass the torch to an artist who you feel grateful and thankful for, somebody who looks and sounds different from you. Who would you like to tell us about?

COPELAND: There's a band called Bernice. It is - it's a Canadian band, but it's getting around the world. I happened to go to a show of theirs in the town in which I was living not knowing anything, really, about it other than that one of the people that was playing in the band was somebody that had played with me for a little bit and who I thought was quite a genius. And literally, I was gobsmacked (laughter), just gobsmacked.

SHAPIRO: Let's listen to one of their tracks. This is called "Glue."



BERNICE: (Singing) ...Like a tangly (ph) crown. This dream is hard to awaken from. Exquisite fall boxy and deep into maroon colored sleep. Take it all. Take it all. Take it all. Take. When you...

SHAPIRO: It's, like, the most relaxing alien invasion I've ever been - partied to (laughter).

COPELAND: (Laughter) Well, you know, the thing about them is that no two of their songs sound alike.


COPELAND: I mean, you listen to this, this is this. You listen to something else, it's somewhere else.


COPELAND: You know?

SHAPIRO: This is a young band. I mean, they could be your grandchildren.

COPELAND: Yeah. Well, I mean, most bands could be my grandchildren (laughter) Give me a break, you know?

SHAPIRO: Do you think of them as kind of the inheritance of a tradition that you carried for a while and now they are, I don't know, running along with it?

COPELAND: The music that I'm attracted to coming from young ones is, aside from its sophistication, what they're talking about. There's a prospective, a sense of where the world must go, which young people are putting into their art no matter what form the art is.

SHAPIRO: We're going to go to Bernice's lead singer Robin Dann after this, so what would you like to say to her?

COPELAND: Oh, Robin, you know, this is Glenn talking to you. And, you know, I am one of your down-on-my-knees fans (laughter) out of a sense of, like, awe. And I just want to say no matter what, don't stop - don't stop writing. Don't stop writing. We need what you have to say, and your vision is extraordinary. And it's musically so exciting. All right. That's it. Just do your thing. You are geniuses. Go for it.

SHAPIRO: Glenn Copeland, I'm so glad that you are getting this long-overdue recognition and that you were able to talk with us about it. Thank you.

COPELAND: Ari, it was just a pleasure. Thank you so much. I'm just - I'm thrilled. And thank you, Dan - Caribou.

SHAPIRO: And we'll talk with Robin Dann, lead singer of the band Bernice, in the next episode of Play It Forward.


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