A God Who Remembers During the Holocaust, Elie Wiesel's family members were killed in Nazi camps, and he was held at Buchenwald. The Nobel laureate came to believe it was his job to share his memories of the atrocities.
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A God Who Remembers

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A God Who Remembers

A God Who Remembers

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(Soundbite of This I believe montage)

Unidentified Man #1: I believe in mystery.

Unidentified Woman #1: I believe in family.

Unidentified Man #2: I believe in being who I am.

Unidentified Man #3: I believe in the power of failure.

Unidentified Man #4: And I believe normal life is extraordinary.

Unidentified Man #5: This I believe.


Today, our This I Believe essay comes from the writer, teacher, activist and recipient of the Nobel Peace Prize, Elie Wiesel.

Wiesel survived the Nazi death camps and he told his story in the book, "Night." His essay today is about bearing witness.

Here's our series curator, independent producer Jay Allison.

JAY ALLISON: Sixty-three years ago this week, American forces liberated the concentration camp at Buchenwald. Elie Wiesel was among those set free. His father, with whom he'd been imprisoned, died before the liberation. It was in the crucible of that experience that his belief was forged. Here is Elie Wiesel, recorded in his office in New York City with his essay for This I Believe.

(Soundbite of archived recording)

Mr. ELIE WIESEL (Author, "Night"): I remember, May 1944: I was 15 and a half, and I was thrown into a haunted universe where the story of the human adventure seemed to swing irrevocably between horror and malediction.

I remember, I remember because I was there with my father. I was still living with him there. We worked together. We returned to the camp together. We stayed in the same block. We slept in the same box. We shared bread and soup. Never were we so close to one another.

We talked a lot to each other, especially in the evenings, but never of death. I believed - I hoped - that I would not survive him, not even for one day. Without saying it to him, I thought I was the last of our line. With him, our past would die; with me, our future.

The moment the war ended, I believed - we all did - that anyone who survived death must bear witness. Some of us even believed that they survived in order to become witnesses. But then I knew deep down that it would be impossible to communicate the entire story. Nobody can. I personally decided to wait, to see during 10 years if I would be capable to find the proper words, the proper pace, the proper melody or maybe even the proper silence to describe the ineffable.

For in my tradition, as a Jew, I believe that whatever we receive, we must share. When we endure an experience, the experience cannot stay with me alone. It must be opened, it must become an offering, it must be deepened and given and shared. And of course, I am afraid that memories suppressed could come back with a fury, which is dangerous to all human beings, not only to those who directly were participants, but to people everywhere, to the world, for everyone. So, therefore, those memories that are discarded, shamed, somehow they may come back in different ways — disguised, perhaps seeking another outlet.

Granted, our task is to inform. But information must be transformed into knowledge, knowledge into sensitivity and sensitivity into commitment.

How can we therefore speak, unless we believe that our words have meaning, that our words will help others to prevent my past from becoming another person's — another peoples' future. Yes, our stories are essential — essential to memory. I believe that the witnesses, especially the survivors, have the most important role. They can simply say, in the words of the prophet, I was there.

What is a witness if not someone who has a tale to tell and lives only with one haunting desire: to tell it. Without memory, there is no culture. Without memory, there would be no civilization, no society, no future.

After all, God is God because he remembers.

ALLISON: Elie Wiesel, with his essay for This I Believe.

At our Web site, npr.org, you will find all the essays in our series along with many from the 1950s, some inspired by the events of World War II and its aftermath.

You'll also find our invitation to write your own essay.

For This I Believe, I'm Jay Allison.

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