Keeping Up With Amanda Jones, Score Composer On The Rise Jones is the first African American woman ever nominated for an Emmy for an original television score. She got her start because producer/writer Lena Waithe took a chance on her.

Keeping Up With Amanda Jones, Score Composer On The Rise

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AMANDA JONES: (Vocalizing).


That's the voice and guitar of Amanda Jones from her Emmy-nominated score from an episode of the Apple TV Plus series "Home." Jones is the first African American woman to be nominated for an original television score. Tim Greiving has her story.

TIM GREIVING, BYLINE: Two years ago, Amanda Jones was at a luncheon for the NAACP Image Awards. She was working for a television studio and wanted to change directions. She walked up to producer Lena Waithe and told her she wanted to be a fulltime film and TV composer.

JONES: I was like, hey, I'm getting ready to, like, take the leap. And she was like, oh, cool. Like, here's my email. Let's keep in touch.

GREIVING: Waithe, the producer and creator behind "The Chi" and "Queen & Slim" was developing a new semi-autobiographical series about a queer black woman trying to break into Hollywood. And even though Amanda Jones only had a handful of indie credits at the time, Waithe gave her the job scoring the show "Twenties."


UNIDENTIFIED SINGERS: (Singing) You know what it is. What?

LENA WAITHE: I love giving someone their first opportunity because is there a risk? Sure. But I just think the reward is so much better. You know, even if that person falls flat on their face, I'd rather have given that person opportunity and then they learn from that fall than not.

GREIVING: But Amanda Jones was already an experienced singer, songwriter and guitar player. She grew up in Jeffersonton, Va., where her dad, who works in health care, started the fire.

JONES: My dad was obsessed with Motown, and I remember it was The Temptations song, like, "My Girl."


JONES: That, like, guitar line, when I was, like, 4 or 5 - just, like, hearing that was just, like, when I first fell in love with the guitar.

GREIVING: Jones played guitar in her church band as a teenager, then went off to Vassar College to become a chemist. But the call of music was too strong. She switched her major to composition. And after graduating, she formed a band, The Anti-Job, and moved to LA.


THE ANTI-JOB: (Singing) I'll miss you, miss you, miss you, miss you.

JONES: So we kept our expenses very low. I didn't have a car. I still don't have a car. And, yeah, we just kept it - we always tried to make sure we either, like, broke even on tour or, like, just made a little bit more. But then we'd also, like, play, like, breweries or wineries, which actually pay really well. But they were just, like, not as cool (laughter).

GREIVING: She wanted a little more stability and worked as an assistant at the studios of film composers like Hans Zimmer. Then she took a job as a music coordinator at Lionsgate television. All of this made Jones believe she had what it took to compose for film and TV.

JONES: 'Cause it's a given that you're excellent at your craft, so are you cool (laughter) is basically, like, the question that's not asked, you know, deliberately, but that's what they're trying to figure out.

GREIVING: Working for Lena Waithe on "Twenties" led to working for Robin Thede on "A Black Lady Sketch Show" where Jones spoofed genres from rom-coms to sitcoms to spy thrillers.


GREIVING: That led to working for Ava DuVernay on the show "Cherish The Day." Then came "Home," which earned Jones her Emmy nomination.


GREIVING: And even though she's only been scoring full time for less than two years, Amanda Jones is already helping others. As a co-founder of the Composers Diversity Collective, she's connecting producers and studios with other underrepresented composers and generating even more new energy. For NPR News, I'm Tim Greiving.


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